A Quote by Bill Bailey

Joke number 1, I have a bit of a problem with jokes, bit of a handicap for a comedian obviously, um, I tend to bail out of the joke, I lose commitment in it, I'll give you an example: Three blokes go into a pub. One of them is a little bit stupid and the whole scene unfolds with a tedious inevitability.
Three blokes go into a pub. One of them is a little bit stupid, and the whole scene unfolds with a tedious inevitability.
When someone new comes on and has their first nude scene - and even if it's not full nudity - it's always a weird, awkward setup. We have these famous merkins which are sort of toupees for your delicate areas to make it look like you're naked but cover you up a little bit. But we joke around a little bit with the newbies who are trying that stuff on for the first time.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
Even going out to get milk becomes a little bit challenging, just because there is a whole entourage that then travels with me for this simple thing. So I tend to try and find ways not to inconvenience a whole raft of other people, so it changes my mindset a little bit.
I've learned to be more reserved, watch what I'm saying; I got in a little bit of trouble. People tell me 'Never lose that, never lose that,' but then I get in trouble so I have to lose it. I'm trying to keep a little bit; I'm never going to lose who I am, I just gotta tone it down a little bit.
If a scene is three pages long, quite often people break it up and do a page, say 'cut' then move on to the next bit, they do it in cuts. I don't really like doing that; I like to go through it all in one organic run, then give notes afterward. A little bit more like theater.
I like to mix and match things so I'm infusing a little bit of jazz, a little bit of classical, a little bit of soul, into the whole blues idiom and I'm coming up with something that I'm really interested in.
When I was governor, if I told a joke in front of the press - I learned. I would go, "That was a joke, joke, joke," and I'd say it three times.
We lose money on signing up the customers where there's some marketing costs associated with giving them a free month. It doesn't much matter whether you make a little bit or lose a little bit.. as you well know, because you lose a ton on every copy of The Washington Post (newspaper).
Because Buffy really has become the straight man, every once in a while it's nice to be the one that tells the joke and it's nice to be the one that is the joke and it's nice to do something that's a little bit different.
Some street jokes are just timeless. There's an old street joke about comedians. The joke is that a beautiful girl comes up to a comedian at the end of the night and says, "I saw your show tonight, and I just loved it. I want to go home with you, and I'll do anything you want." And the comedian says, "Were you at the 7 or the 9?" That's just a perfect joke, because it points out how egomaniacal and obsessive comedians are. Even though I'm not waiting for a groupie, I can completely understand it. It just defines how comedians are driven.
With patisserie, unlike with cooking, you have to be very precise; you can't just add a bit of this and a bit of that, because your cake starts melting. There's a lot of technique involved, but you can still be creative. Because of my artistic background, when I have that freedom I tend to do things a little bit out of the box.
There's like a little bit of a narcissism - I think there's more than a little bit of narcissism about it, but it's just that you can become so anxious and self-obsessive about whether this thing that I'm writing is good; is this joke that I'm making good?
If you give a little credit to the concept of the artist, I think you ought to indulge excesses a bit, because that reflects the personality of the writer. Now if a joke is in bad taste or it's not funny, okay, that's awhole different thing, but how you craft a joke is really what the writer's job is, and I don't think that technique should be subject to any editorial constraints.
Humor has the tendency to be funny once. If I tell you a joke, we're going to have a big laugh. But the second time I tell the joke, it's going to be a bit strange, and the third time you're going to ask if there's something wrong with me. So I am very cautious with jokes, but there is a lightness in my work.
When you've got a lot of slaves at your command, you tend to get a little bit fat. You tend to get a little bit lazy. You tend to get a little incompetent because there's not much that you do for yourself anymore.
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