A Quote by Bill Bailey

Comedy can be quite all consuming at times, and if you're not careful you end up doing a tour, then a DVD, then another tour then a DVD. Suddenly the years have just flown by.
What I noticed, in the short time I've been in Chickenfoot, we wound up doing a tour and a live DVD with basically that scoop sound. I was using OD2 for that entire tour. When we went out on this new tour and made the new record, I used the amp in an entirely different way. It was already modified.
It's frustrating when people get upset with me about not going out to DVD - the reason is that I plan to tour with the films for many, many years, not just a month or a week. Literally years. And as soon as I would put it out on DVD, it would ruin the financial possibilities of me making it a theatrical event. Whereas the book, the publishing of a screenplay, would not cause that problem.
I trained and trained and went up against Kurt, then being a world champion in '94, and after that I did Tommy's tour and then my tour and all this stuff and just trying to deal with it all. And now, I've just kind of backed off a little.
Yeah, I came in at the end of the Notorious album, played on about five tracks and then we went on a tour. Then we did another album, Big Thing, and then we started writing songs together in 1989.
I want to play the Tour until I'm 46, 47, and then take about three years off, and then go play the Champions Tour when I'm 50. That's the plan, but you never know - it all depends on how good the fishing and hunting is.
You have to remember that I played longer than anybody else on the main tour; I played until I was 40, and then played another six years or so on the seniors tour.
When the Greatest Hits came out and we did that tour, I just felt I wanted to take a break, totally. Probably because, as well, I was so young when I got famous. I did album, tour, album, tour, album, tour, then I had a public nervous breakdown where I just lost tons of weight.
I tend to write things seven times before I show them to my editor. I write them seven times, then I take them on tour, read them like a dozen times on tour, then go back to the room and rewrite, read and rewrite... I would never show him a first draft, because then he's really going to be sick of it by the twelfth draft.
When I'm on tour, I don't see these spots as much as I'd like. I'm just in, I perform, then I'm out. I hope to spend years sightseeing, then more years after that.
I could have been in a house show the day before being flown in to do the Survivor Series. I'd do that pay-per-view, then fly out the next day to go do another house show. The pay-per-view just happened in the middle of a 30 or 40-day road tour. For us back then, the WWF talent, it was just another day of work, another day of being on the road.
I was always obsessed with other performers doing their thing, and Britney 'Live in Las Vegas' from 2001 is my absolute favorite tour DVD of all time.
I remember one tour with two male-fronted bands, and they had a fight over who could use the bathroom first. Then they just ended up having a beef with each other for the entire rest of the tour.
If we don't take that time (to be romantic), then it's karate, then it's ballet, and then there's Christmas, and then my husband is flying off to tour around the world.
The process of making a movie has expanded in terms of effort and time for the director, doing commentaries for the DVD for example, finishing deleted scenes so they could be on the DVD, and doing things like a web blog.
I think all you can really do is use the tour to kinda fill up with experiences and thoughts, and then, when you get back to the studio, or in some type of creative environment, that's when you release everything that you've encountered on tour.
We'd tour for a year and a half and do an album and then tour for another year and a half and do another album. We thought we were invincible, but someone should have said, 'You guys need to take a little time off.'
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