A Quote by Bill Bailey

There was something about stand-up that music wouldn't give me, which was my love of the spoken word and the mercurial tendency of language to respond to what happens to you. — © Bill Bailey
There was something about stand-up that music wouldn't give me, which was my love of the spoken word and the mercurial tendency of language to respond to what happens to you.
I work because I love it. It's a projection of myself. It allows me to express my enthusiasm for music and film using the spoken word, which I love, and broadcasting, a medium which has always fascinated me. I'm very lucky.
For language to have meaning, there must be intervals of silence somewhere, to divide word from word and utterance from utterance. He who retires into silence does not necessarily hate language. Perhaps it is love and respect for language which imposes silence upon him. For the mercy of God is not heard in words unless it is heard, both before and after the words are spoken, in silence.
It has not been definitively proved that the language of words is the best possible language. And it seems that on the stage, which is above all a space to fill and a place where something happens, the language of words may have to give way before a language of signs whose objective aspect is the one that has the most immediate impact upon us.
No poet will ever take the written word as a substitute for the spoken word; he knows that it is on the spoken word, and the spoken word only, that his art is founded.
Usually, you know, you're at a table and you're the only woman, you've got this idea, you finally speak up - I mean, I've been in some settings where every head turns toward me and then they all turn away as if I've never spoken. Which I think happens when whatever I said was so out of the blue, or so awkward, that they just didn't know how to respond.
The word relationship is beautiful. The original meaning of the root from which the word to relate comes is exactly the same as to respond. Relationship comes from that word respond. If you have any image of your wife or husband, you cannot respond, and hence relate, to the truth of the person. And we all go on carrying images.
I can still function when I don't have that balance I crave. I had a tendency to be precious about acting, thinking of it as something mercurial that required all the right conditions, but now I know that even if I don't get any sleep, I can still work, I can power through. The stars don't have to be perfectly aligned for me to do a good job.
The impression is that love is something that happens to you like magic. That love is something others do for you, but that you cannot do for yourself. Love is not something you wait for. Love doesn't just happen. Love is something you do. When you want love, give love. Moment to moment, you make the choice whether to give love and be loved.
I'm not concerned about what [Donald Trump] says about me. That doesn't matter to me. I'm going to stand up for immigrants. I'm going to stand up for American Muslims who are working hard in this country that they love and consider their own. I'm going to stand up for other women. I'm going to stand up for the right to choose.
The first thing to do about an obstacle is simply to stand up to it and not complain about it or whine under it but forthrightly attack it. Stand up to your obstacles and do something about them. You will find that they haven't half the strength you think they have. Just stand up to it, that's all, and don't give way under it, and it will finally break. You will break it. Something has to break and it won't be you, it will be the obstacle.
My first spoken word poem, packed with all the wisdom of a 14-year-old, was about the injustice of being seen as unfeminine. The poem was very indignant, and mainly exaggerated, but the only spoken word poetry that I had seen up until that point was mainly indignant, so I thought that that's what was expected of me.
I think you can perform any poem. But what I believe is that the best examples of spoken word poetry I've ever seen, are spoken word poems that, when you see them, you're aware of the fact they need to be performed. That there's something about that poem that you would not be able to understand if you were just reading it on a piece of paper.
[Comedian Jerry Seinfeld was nominated for a Grammy for his spoken-word children's album] Halloween... Don't Give Up on Me.
I've never really considered doing stand up, but I have done readings/spoken word things fairly often in which I'll just tell a bunch of stories and run off at the mouth. I'm a big tangent person.
Love your country. Your country is the land where your parents sleep, where is spoken that language in which the chosen of your heart, blushing, whispered the first word of love; it is the home that God has given you that by striving to perfect yourselves therein you may prepare to ascend to him.
Music is a universal language insofar as you don't need to know anything else about a musician that you are playing with other than that they can play music. It doesn't matter what their music is, you can find something that you can play together, with what their culture is. The dialect part of it comes into play, but nothing like the differentiation that language sets up, for example.
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