A Quote by Bill Bellamy
Oh my god, Jenny McCarthy is the coolest chick. She's the kind of girl you can play volleyball with and she's diggin' it out in the dirt. She's the girl that's playing softball - not worrying about breaking a nail. She's out there breaking nails and diving at second. And then, she's going to out-drink you at the bar.
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Jennifer Lawrence is just the coolest girl. Everyone forgets how young she is because she's so together, such an old soul. She just gets it. She's one savvy chick.
One of the most unfortunate things I see when identifying youth players is the girl who is told over the years how great she is. By the time she's a high school freshman, she starts to believe it. By her senior year, she's fizzled out. Then there's her counterpart: the girl waiting in the wings who quietly and with determination decides she's going to make something of herself. Invariably, this humble, hardworking girl is the one who becomes the real player.
I thought Victoria Beckham was going to be one of those pop girls, but she's absolutely the complete opposite. She's a working girl. She knows what she wants. And when she doesn't know, she really prepares herself. I love this working type of women. And she's a girl from - I don't even know where she's from.
She was, in fact, quite a pleasant looking girl, even if her bosom had clearly been intended for a girl two feet taller; but she was not Her. The Egregious Professor of Grammar and Usage would have corrected this to "she was not she," which would have caused the Professor of Logic to spit out his drink.
A girl, if she has any pride, is so ashamed of having anything she wishes to say out of the hearing of her own family, she thinks it must be something so very wrong, that it is ten to one,
if she have the opportunity of saying it, that she will not.
He began to trace a pattern on the table with the nail of his thumb. "She kept saying she wanted to keep things exactly the way they were, and that she wished she could stop everything from changing. She got really nervous, like, talking about the future. She once told me that she could see herself now, and she could also see the kind of life she wanted to have - kids, husband, suburbs, you know - but she couldn't figure out how to get from point A to point B.
My daughter [Ariana], she's a sweet, lovely girl, but she doesn't have the drive or the belief in herself. As it says in the film, I get touched up thinking about it, no one can give you a career. You have to have that inner drive. She wants it, but she doesn't know how to go for it, she's too shy. To see her perform and come on stage and feel comfortable, you know, she has talent - that was very touching, very moving, for me. She has a really beautiful sound and voice. She's a young girl still, 26, and innocent. She was kind of sheltered.
She nodded... and was about to turn away. Then, as if she thought better of it, she reached out and grabbed his arm. "Jack." "Yes?" "I. . ." she faltered. She knew what she wanted to tell him, but she couldn't bring herself to say the words. It turned out she didn't have to. Jack put a hand to his heart and nodded. "I feel the same way about you.
One night, I went out with my teammates. I don't drink alcohol, so I wasn't drinking. This girl walked up to me; she was talking to me. She was like, 'Why aren't you drinking?' I was like, 'I just don't drink. Alcohol is nasty.' She said, 'I might have something for you.' She went and got a Shirley Temple. Then I was like, 'Ohhh, OK.'
(on Katharine Hepburn) She talks at you as though you were a microphone; she lectured the hell out of me on temperance and the evils of drink. She doesn't give a damn how she looks. I don't think she tries to be a character. I think she is one.
Takako looked into Hiroki's eyes and grinned. "You've become quie a stud." "And...you're the most stylin' girl in the world." Takako smiled faintly. She wanted to thank him, but she was out of breath. She just stared at Hiroki's eyes. She was grateful. At least she wasn't going to die alone. The last person to stay with her ended up being Hiroki. And she was grateful. She really was.
She liked his tears so much that she put out her beautiful finger and let them run over it. Her voice was so low that at first he could not make out what she said. Then he made it out. She was saying that she thought she could get well again if children believed in fairies.
Remember a few years ago when they left Bea Arthur out of the death reel at the Oscars? Bea Arthur! How did they leave Bea Arthur out? She was in Mame; she was in All in the Family; she was in Maude; she was a Golden Girl, for God's sake! Bea was not only one of Hollywood's leading ladies, she was one of Hollywood's leading men!
Oh, she takes care of herself. She can wait if she wants. She's ahead of her time. Oh, and she never gives out. And she never gives in. She just changes her mind.
I did a film called 'Worlds Apart' about a Jehovah's Witness. I was the love interest - the male lead - but the story was about the female lead, a young girl who is a part of this cult, and she wants to break out. She meets a guy who has to help her. She has to find out who she is. It's more like a coming of age story.
A girl has the power to go forward in her life. And she's not only a mother, she's not only a sister, she's not only a wife. But a girl has the - she should have an identity. She should be recognized and she has equal rights as a boy.
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