A Quote by Bill Bixby
The male image has been so pulled down by situation comedy in the last 15 years, it is frightening. I don't like what has happened to the American male.
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What's quote-unquote a 'good' lawyer, doctor, or whatever the profession is. And if you're a male who grew up professionally in a male-dominated profession, then your image of what a good lawyer is a male image.
What's quote-unquote a 'good' lawyer, doctor, or whatever the profession is. And if you're a male who grew up professionally in a male-dominated profession then your image of what a good lawyer is is a male image.
The bonding of women that is woman-loving, or Gyn/affection, is very different from male bonding. Male bonding has been the glue of male dominance. It has been based upon recognition of the difference men see between themselves and women, and is a form of the behaviour, masculinity, that creates and maintains male power… Male comradeship/bonding depends upon energy drained from women.
The entire world is skewed from the white male perspective. If you're a woman, they have to say it's a female-driven comedy. If it's a comedy with Latinos in it, it's a Latino comedy. 'Normal' is white male, and I find that to be shocking and ridiculous.
Pornography reveals that male pleasure is inextricably tied to victimizing, hurting, exploiting; that sexual fun and sexual passion in the privacy of the male imagination are inseparable from the brutality of male history. The private world of sexual dominance that men demand as their right and their freedom is the mirror image of the public world of sadism and atrocity that men consistently and self-righteously deplore. It is in the male experience of pleasure that one finds the meaning of male history.
The last 15 years, there has been no recorded warming. Contrary to all the theories that they are expounding, there should have been warming over the last 15 years. It hasn't happened.
The image of Ireland is projected as a male image in the acting world, similar to the way that the word of Ireland is male dominated.
It's rare to see women in a film who are not somehow validated by a male or discussing a male or heartbroken by a male,or end up being happy because of a male. It's interesting to think about, and it's very true.
A Christian woman's true freedom lies on the other side of a very small gate...humble obedience...but that gate leads out into a largeness of life undreamed of by the liberators of the world, to a place where the God-given differentiation between the sexes is not obfuscated but celebrated, where our inequalities are seen as essential to the image of God, for it is in male and female, in male as male and female as female, not as two identical and interchangeable halves, that the image is manifested.
I have often been asked why I am so fond of playing male parts. As a matter of fact, it is not male parts, but male brains that I prefer.
I think there have always been male writers, female writers. As a reader, I never picked up a book and said, 'Oh, I can't read this - it's about a male,' and set it back down.
'Friends With Benefits': it feels like a two-hander to me, but it is a big movie, and this is the first straightforward male I've been able to play. I would describe my character in 'The Social Network' as a kind of sociopath. I would describe my character in 'Bad Teacher' as... just a weirdo. But this is a male's male.
I identify myself with the male gaze, I grew up with the male gaze, I've been excited by the male gaze. I'm a product of that culture.
Every modern male has, lying at the bottom of his psyche, a large, primitive being covered with hair down to his feet. Making contact with this Wild Man is the step the Eighties male or the Nineties male has yet to take. That bucketing-out process has yet to begin in our contemporary culture.
It's predominantly a male society, predominately a male culture, predominantly a male theatre, and predominantly male critics, but that's changing, definitely.
It fit into my scheme of things for many reasons. At the time it was true that male dancers were looked down upon, and it was true that a lot of the male dancers were effeminate. But what I was really trying to do was develop something that would be American.
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