A Quote by Bill Bruford
Holding on to some of your uniqueness is the trick instead of surrendering it at the Academy of Contemporary We're Gonna Make You a Star.
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I think, at some point, all of us - I'm gonna speak personally, not for everybody else - you're gonna feel like a one-trick pony, and you might even be a one-trick pony. But at some point, if it's a really good trick, everybody's still gonna appreciate it.
You're an original, an individual, a masterpiece. Celebrate that; don't let your uniqueness make you shy. Don't be someone other than the wonder you are. Every star is important to the sky.
I don't look at things goin', 'Oh, is this gonna make me rich? Is this gonna make me a star? Am I gonna win awards?' If all that stuff happens, great. Who cares? I still have to wake up in the morning and go to work and be happy to do it.
Stars are rare creatures, and not everyone can be one. But there isn't anyone on earth - not you, not me, not the girl next door - who wouldn't like to be a movie star holding up that gold statuette on Academy Award night.
Producers think in the language of abundance rather than scarcity, take initiative instead of waiting for someone else to provide them with opportunity, and boldly venture wise risks instead of surrendering to fear that they can't make a difference.
There may be some who wish that he would have taken the occasion to first comment on the Brexit vote, but they're not going to abandon him. They're not gonna let the media do it. Romney people? The media could separate his supporters from him, but they can't from Trump. They don't understand this yet. They think one of these times when they do a trick like this it's gonna work and they're gonna be able to really harm [Donald] Trump.
I think it's important for service to be a part of your life instead of an option. It's awesome to make it a point to do something that's gonna make the world slightly better than you left it.
I started just concentrating on songwriting when I was abut 20; I'd been in rock bands six or seven years, kinda got that out of my system, I said, "ok, you ain't gonna be a rock star, you don't look like a rock star, it probably ain't gonna happen. So what you should do is write songs and maybe other people will do your songs."
In our competitive world we're taught to never quit trying, never give up, and never give in - so we don't hear much about surrendering. If winning is everything, surrendering is unthinkable. Even Christians would rather talk about winning, succeeding, overcoming, and conquering than yielding, submitting, obeying, and surrendering. But surrendering to God is the heart of worship.
We're starting to make some progress. But there's still gonna be some pain out there. If I don't have this done in three years, then there's gonna be a one-term proposition.
When you a ghetto star, when you a hood star, you gonna take care of your grandmother, your mother. When you on that next level, you gotta take care of the city, the streets.
Make your own worlds. Make your own laws. Make your own creations, your own star systems. Don't feel answerable to anyone, or as though you have to create after some preordained model. You don't have to write like myself, or King or Anne Rice: be yourself. Nothing is more wonderful than discovering a new voice, particularly if it happens to be your own.
So one day he found her crying Coiled up on the dirty ground Her prince finally came to save her & the rest you can figure out But it was a trick & the clock struck twelve Well make sure to build your home brick by boring brick or the wolf's gonna blow it down Keep your feet on the ground When your head's in the clouds
The chief trick to making good mistakes is not to hide them - especially not from yourself. Instead of turning away in denial when you make a mistake, you should become a connoisseur of your own mistakes, turning them over in your mind as if they were works of art, which in a way they are.
For a lot of filmmakers, their first goal is to be successful and make some money. But once people start doing that, the real goal is then to win an Academy Award. Because when they do, they know that their obit is going to start out, 'Academy Award winner so-and-so.'
For a lot of filmmakers, their first goal is to be successful and make some money. But once people start doing that, the real goal is then to win an Academy Award. Because when they do, they know that their obit is going to start out, "Academy Award winner so-and-so."
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