A Quote by Bill Burr
I'm an idiot, basically. I don't think that I'm a dumb guy, but I also realise that I have access to about 0.1 percent of the information that I need to have a truly informed opinion about half the stuff I talk about. I'm like that loud guy in the bar, who kind of makes sense for about ten minutes, and then you realise he flunked everything at high school so you just laugh at him.
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The spy genre is something I loved.It also extends to the bad guy because I think, to me, what I love the most about the spy genre is when you have a great bad guy. What makes a great bad guy, to me, is the logic. What he's about has to make sense to me, that if I was in his shoes, yeah, right, that makes sense.
And suddenly I realize that although I've never thought about being in love with Nick before, all the right ingredients are there. I fancy him. I like him. He's my friend. He makes me laugh. I love being with him. And I start to feel all sort of warm and glowy, and screw the other stuff. Screw the stuff about him having no money, and living in a bedsit, and not being what I thought I wanted. I'm just going to go with this and see where it ends up. I mean, no one says I have to marry the guy, for God's sake.
When you realise that money doesn't actually make you happy, it's a quick fix to have things you've always wanted, but then when you have it, you realise that's not what actually makes you happy. It's more about having a great marriage and happy children; that's what life's all about.
It also happens that I don't actually teach about the stuff I make things about. I'm not a film history teacher. In that way, it's also a release. But the ideas that I talk about in the movie are the same I talk about in school.
If you want your rock stars that are completely 100 percent serious about themselves and you want them to pretend like they're 25, I'm probably not the guy for that. But if you want to come and say, 'Hey, you know that guy right there, he's just being himself. I kind of like him for that,' you know, then that's me.
I'm neurotic in the sense that I can have a crowd of 300 people cheering you, applauding you, standing O, but one guy come out of the audience and go, "Hey man, you should have cut 20 minutes. That wasn't so good." And I'll just obsess on that one guy. After all this love, I'll obsess on him and want to smash his face in and strangle him and kick him down the stairs and I'll be pouting about that one guy all night.
It's already not as easy, in the sense that interesting roles for girls and women tend to be few and far between. That's just the reality that I think most people would agree with. So that can be frustrating. I just get sent so many things that are like, "So, here's another story about a guy...." But that's just what it is. I'm kind of getting more excited about developing my own stuff, or getting involved early in projects and doing my best to make things that I care about happen.
When I think about him, I think about him as John and John Wick. I think of John Wick being the assassin part of John. I would say that guy has strong will; never gives up; he's kind; and there's honor about him. He's also a man of strength. There are even some vulnerabilities to him. Most importantly, he's good at his job.
I have this little neighbor next door. He comes over and tells me about playing Call of Duty, and he's talking about, 'Aw yeah, I slit this guy in the throat and then I stuck a grenade up this guy's ass.' He's describing it in all this detail, and that makes me uncomfortable. I don't think that's good for him.
Go back and read Sinclair Lewis - It Can't Happen Here or Babbitt. For a guy or girl who's going to do an hour of political comedy, it might be a little rough, sure. But I think if you're spending 10 minutes or less, and you're talking about - not necessarily [Donald Trump] but his supporters and the media coverage, there's all kinds of angles to explore. It doesn't just have to be simply, "This guy is crazy!" It's more about the idea of that kind of guy rising to the prominence he has, to actually become the Republican candidate.
Lee Harvey Oswald was boiling over about everything: the American ambassador; the Russians-he was mad at them because they wouldn't let him stay in Moscow. We talked to him for about half an hour, and my Italian friend didn't think the guy was worth filing a story about. Just another paranoid hysteric; the Moscow woods were rampant with those. I never thought about him again, not until many years later. Not until after the assassination when I saw his picture flashed on television.
Wiz is a cool guy, humble guy, down to Earth guy. You would really think he was just a regular guy if you didn't know who he was. But he still has a superstar aura about him.
The thing about writing or making art is that I'm not thinking about that stuff while I'm doing it. Like the driver's ed kid, in retrospect I see that that was meaningful, and I felt close to him in that way, but at the time I just thought it was fun to draw, and that's all it was. I think that's what's weird about life and about making art. You have to talk about it later. I guess I should be prepared to talk about it now. That is why I'm here. But again, pass.
If you're not mechanically in the community with people from the community trying to talk about our party, talk about school choice, talk about SBA loans for business owners - if someone's not there, nothing is going to change. You also need to have the tone ... people believe obviously you like them. If people don't think you like them, then they're not going to vote for you.
I'd like to play a guy who doesn't think so much. I'd like a character whose words come out before he thinks about it. I want a character who is just kind of dumb in that way. A guy who doesn't have too many dangerous, devious ideas. It would be fun to play a role like that.
One of the things I didn't like about school is that every time they told a story about a rich guy in school, he was an evil guy. Our school system is programming us to think the rich are greedy and evil.
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