A Quote by Bill Burr
I think the fear of humiliating yourself on stage always motivates me to give at least 90 percent. I've definitely been guilty of leaning on the mic stand, but you can only do that so long before you're like, "Jesus, I'm bombing." The fact that people pay to come see me, that's really just out the window.
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I was new to acting on a stage in a narrative as opposed to acting on a stage as a stand-up. And like everything else it's just like comfort level. The first time I did stand-up I was at a place called the B3 in New York on Third and Avenue B and I not only didn't take the mic out of the stand, but I clutched the stand of the entire time.
I don't do anything specific for the stage. I'm just myself. I can't stand still for five seconds. I'm normally quite active, so that just comes out on stage. If I see people react to me and my music, I just have to give back and express myself.
Yeah, I think it motivates you as people start to count you out. It doesn't make you play any harder, because every time you go out on the field you give 110 percent, but it does give you more of an edge mentally, knowing that you were in the same situation, because in sports you always find yourself behind.
Howard Shore, who's an amazing film composer, told me once that it's 10 percent inspiration, 90 percent perspiration. So I think even within the creative process, like being a producer, you're really managing people and getting the best out of them.
If I see a fan talking down on my resume or another fighter, it just motivates me to go out there and prove them wrong and fight the fighters that they say will beat me or that will give me trouble in the ring. They ain't going to never really give you no credit, no matter what you do.
I feel like [throughout] my entire career and life, that I've been judged by people who really did not know me. But I definitely think that they probably were right to assume what they had assumed about me, because there was so little to go on out there. If you only see videos of me being crazy and hearing little things here and there, then obviously you're not going to have any idea who I really am.
My illness has changed me - I've always thought "life is short and I wanna make as much of it as I can," but I really don't have time to mess around. This has really been a wake-up call in terms of what's important, and I'm working hard to figure that out. I need to get better at not doing favors for people all the time. It's hard because there's so many people who have helped me get to the point where I'm in a band that people wanna come see, or where people pay money to see me lecture.
The first suicide bombing that entered my consciousness was the Beirut embassy bombing. It was very personal. I'd been in the embassy and I knew most of the people in the station who were killed in the bombing. So you take the personal aspect of it and the mystery of who the bomber was and the fact that a small group of people could drive us out of a country that was absolutely key to the United States, and what was behind this... The fact that they've been able to hide the embassy bombers' identities for all these years tells me we're up against a very capable movement.
During my stage shows, I am so energetic. It's constant! I just don't stand still. I actually got given a mic stand from my team to say 'Just calm down. Stand still for at least two songs.' But now I just pick it up and walk around with it.
I've never been under the illusion that everybody on death row is innocent - far from it. My own guess is upwards of 90 percent are guilty. But a ten percent error rate if that's what it is, or even five percent, is really way too high.
If you are going to call out your teammates, you have to call out yourself, too. You can't just separate yourself from the rest, because if you are going to get 90 percent of the credit when you win, you have to be willing to take 90 percent of the blame when you lose.
So many actors get caught up in their technique, and to be honest, I see it really getting in the way. I see them forcing things. I definitely do my best work when I'm free of that. But I think as an actor, I work really hard in preparing the roles. I spend like 90 percent of my waking moments walking around thinking: "What does this character do? What is his relationship with so-and-so?" Always, really. Too much!
I think the idea of being on stage and playing for people, and being able to inject a little bit of joy into their lives is a really exciting concept for me. That's definitely why I make music. It's never been for any kind of materialistic reasons, so that thought of being able to be up on stage, and being able to give something to someone in a moment of need for them - that gets me up in the morning; that really excites me.
I'm about 90 percent vegan. I think veganism is really well suited for training, at least for me anyway.
He gathers me up and I'm weightless before he sets me on the railing. He's the only thing keeping me from falling back, out of the reach of daylight. I'm not afraid of falling. I don't fear the sky beyond the train tracks like I did before. I can go anywhere just so long as it's with him.
I don't like to be pigeonholed; I don't like when people won't see me for something because they don't think I can do it. I always feel like, at least give me the shot.
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