A Quote by Bill Burr

I was a feature one time and they gave me host money. When I called to complain the guy goes "no you didn't feature, you co-hosted". He literally invented a term so he didn't have to pay me. And obviously that check bounced!
My mother gave me this book called Feature Films at Used Car Prices by a guy named Rick Schmidt. I gotta credit the guy, cuz he gave me the most practical advice. It empowers you.
When I was a kid, my pop used to take me to the double feature. He would take me - I had two brothers - and we used to go in the early '80s and check out these grindhouse movies - a double feature, sometimes a triple feature.
My debut feature, 'The Baby-Sitters Club,' got good reviews and made good money for what it cost. But it took me six years to get to direct my second feature. I think a guy would have had another movie out the same year.
Robert Rodriguez, makes a feature film in 35mm celluloid one and a half hours long, and nobody believed him, I think he wrote a book about it and gave all the details of how he spent the money, even making a 35mm celluloid feature film was possible, at least for Rodriguez.
When I said that something was going to cost a certain amount of money, I actually knew what I was talking about. The biggest problem that we were having on the financing front was people with lots of money saying "you need more money to make this film [Moon]," and us saying "no this is the first feature film we want to do it at a budget where we sort of prove ourselves at the starting end of making feature films; we can do this for $5 million." That is where the convincing part between me and Stuart came, we had to convince people with money that we could do it for that budget.
I haven't had a big-ass feature, somebody put me on a label, cash money didn't come scoop me up. I've literally put myself into millionaire position. All the stuff I've done and I'm doing has nothing to do with nobody. I don't owe anybody anything. No wife, no kids - I don't owe nobody nothin'.
We can still do a stop motion feature for about one-third of what it costs Pixar or DreamWorks or Blue Sky to make a feature. But nobody is interested in a film that cost $50 to 60 million with the potential to do $120 million. They want to risk big money to make huge money.
I have a small part as an Ace Rental Car guy in a regular feature called 'Ca$h.'
Whenever I'm making a feature film, I wish I were filming a documentary, because making feature films is so stressful. It happens every time.
It's a simple thing he [Frank Daniel] taught me. If you want to make a feature film, you get ideas for 70 scenes. Put them on 3-by-5 cards. As soon as you have 70, you have a feature film.
The version of me you see on TV now and in my feature films is a pretty happy guy, isn't he?
What is the best way to look for one´s chief feature?" someone asked. Simply see yourself. I do not know how to explain it better. It is possible one may find something -- chief feature of the moment. It is imaginary personality; this is the chief feature for everybody."Can one alter one´s chief feature?" asked someone else. First it is necessary to know it. If you know it, much will depend on the quality of your knowing. If you know it well, then it is possible to change it.
In Austin, you work in anything that will pay and a lot of things that don't. The documentary filmmaker may also be a gaffer on a feature and producer for a commercial series and web host. Everyone just does a little bit of everything, and you have to because it's a secondary market.
Shipping is a feature. A really important feature. Your product must have it.
Persecution is not an original feature in any religion; but it is always the strongly marked feature of all religions established by law.
If a whole bunch of users want a specific feature, and we think that feature is pretty cool, too, that that's just what we'll do.
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