A Quote by Bill Burr
Stand up comedy is this thing you get to do, so you have to treat it with respect. You can't just be like, 'Alright, I got my hour down, people are coming to see me now. Now, I'm going to lean on the mike stand.' No, you gotta work even harder now. You got to top what you already did. Because they'll find someone else.
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I just like to build. Don't get me wrong: I think stand-up is great, and when someone like Richard Pryor or Steve Martin does stand-up, there's nothing better in the world. But I don't want to watch a lot of stand-ups for two hours. So I can do 45 minutes of stand-up and then say, 'Can we do something else now?'
Before stand-up, I didn't even have an agent. Once I started doing stand-up - boom. I got an agent. In fact, I got three agents. I got a lawyer. Now I get taken seriously.
I think right now there's more TV shows than ever. You've got network, you've got cable, you've got Netflix, you've got Hulu, even Amazon is putting out original content. So there's a lot of opportunities to find fans. You don't have to have a huge audience. You can cater to the people that like your stuff. So there is a boom in comedy and television and stand-up too through podcasting and all the different talk shows.
During my stage shows, I am so energetic. It's constant! I just don't stand still. I actually got given a mic stand from my team to say 'Just calm down. Stand still for at least two songs.' But now I just pick it up and walk around with it.
I'm pretty much fixated on certain themes. Family, but it's family of choice as much as family of blood. Individuality, yes, but not at the cost of others' happiness. Be true to your friends. Remembering to find some wonder and hope in the world. Basically it boils down to: treat people like you'd like them to treat you, leave the world a little better than it was when you got here, respect others and stand up for those who can't stand up for themselves.
I knew I wanted to be in comedy but the path of least resistance was doing stand-up in folk music clubs where I could get on stage. I guess you could get up no matter how bad you were and you didn't have to audition. You just got up. Everything else required an audition and if you auditioned for a TV show, you would stand in line with a hundred other people. But at the clubs, it was okay just to get up, so that's why I started in stand-up.
You know how hard it's been to write material? Because to do stand-up comedy, it takes time for the material to develop. So you'll come up with a joke, you'll tweak it, you'll work it for six months, you really fine tune it, and now you've got a good bit. Well, with Trump, every day there's something new coming out.
I want to go to Lapland and see Father Christmas, and now I've got a child, so I've got an excuse. Also, I'd like to go to South America especially as I'm now living in that part of the world, in L.A. now. And I must get down to Mexico.
I gotta go on doin' it the way I see it...I got no choice but to take it like I see it. I'm here to have a party while I'm on this earth...I'm gettin' it now, today. I don't even know where I'm gonna be twenty years from now, so I'm just gonna keep on rockin', cause if I start saving up bits and pieces of me...man, there ain't gonna be nothing left for Janis.
I quit comics because I got completely sick of it. I was drawing comics all the time and didn't have the time or energy to do anything else. That got to me in the end. I never made enough money from comics to be able to take a break and do something else. Now I just can't stand comics. . . . I wish my work would be recognized by a larger crowd of people as more art than be stuck with the cartoonist label for the rest of my life.
There is nothing for you to go back and live over, or fix, or feel regret about now. Every part of your life has unfolded just right. And so - now - knowing all that you know from where you now stand, now what do you want? The answers are now coming forth to you. Go forth in joy, and get on with it.
But long story short, I didn't start doing stand-up because I wanted to have a TV show or be an actor or even wanted to write sketch comedy. I got into stand-up because I love stand-up.
But I work harder now because I have so much more exposure. And actually the harder you work as a writer, the better you get at it. It's like anything else. It's a muscle you have to exercise. I write more now than ever.
So now I'm going back again I got to get her somehow All the people we used to know They're an illusion to me now Some are mathematicians Some are carpenter's wives Don't know how it all got started I don't what they're doing with their lives But me I'm still on the road Heading for another joint We always did feel the same We just saw it from a different point of view Tangled up in Blue.
Turn inward and say to yourself "I'm just gonna do it". That mindset got me to where I am now. I look at the industry like it's a giant mall, and I have a little store - this what I'm selling: I do stand-up, I've got a podcast, and occasionally I act.
In the mid-1970s, there was this huge boom of stand-up comedy throughout North America. I went to see a show at a club called Yuk-Yuks, in Toronto, and I was just fascinated. I ended up coming back for amateur hour on a Monday at midnight and got up there without any thought as to what might come of it.
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