A Quote by Bill Burr
You start in bars and then restaurants, then you want to get into comedy clubs where you feature, then you headline, and once you sell out clubs you're into theaters. I've been able to get there, and it's cool to do that.
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What they call 'alt-comedy' now is basically what comedy was like in the '80s. People tried different things, and everybody went to the clubs; there was no other place. Then somehow, the clubs became infiltrated by Dice Clay and Carrot Top types.
If I can sell out clubs and theaters and play dirtbags in movies, and get blown up in a car or get the crap beat out of me in a movie, that's good for me; I'm good.
I used to hang out a lot in jazz clubs, and the groups took to a kid like me who wasn't afraid to get up and sing with a jazz band. Then I started to hang out in rock clubs and learned to carry off different styles.
I would love to be able to play anywhere, but to me the sweet spot is clubs and theaters, just because I feel like you lean in to tell a joke. You don't back up. Comedy lives in that area. I've played amphitheaters, big clubs, and pool halls, and the most fun rooms hold anywhere from 500 to 2,000 people. That intimacy is where comedy really lives.
Even though I have fond feelings for comedy clubs, I enjoy the focus you get in a theater. Comedy clubs are a different animal. People are being served nachos and there's a blender going off in the background.
I started out in clubs, and I've always liked clubs. I like theaters because people are there for the show.
As much as we love playing the small clubs, we'd really like to get ourselves in front of a larger audience. I'm not talking about arenas or anything, but nice theaters and larger clubs.
Once you start moving [market] lower, then you trigger of all sorts of things. You trigger people who have to sell because they're over-levered. So they sell their winners and their losers. They're just trying to raise cash. So, what you then get is spreading malaise throughout the global markets.
I started out with a carpet-cleaning business. Then I had a lunch wagon business, where you pull up and serve food. Then I had bars and then restaurants.
I guess you get pigeon-holed in Hollywood, but I'm ok with that because I've been able to do a lot. I started in the theater, then I went to stand-up comedy, and then when I went into the movies to do comedy and drama and big movies and small movies.
Hip-hop as a culture itself goes through stages. It grows - it's breathing, living. I've noticed that we usually start off conscious, then we wind up very highly sexual, and then we thug it out. Then things get a little funny again, with comedy and that kind of thing.
I go to screenings, then plays, then after-parties, then clubs.
When you get guys coming up to you in clubs or restaurants or somewhere, and they say how much they've enjoyed your playing on records, then that pays off dividends every day; every time they say it, you think, 'I'm glad I did that.'
Most actors don't know what they're going to do next, so you get into this thing where you have to force yourself to have another life outside of acting. And then, as soon as you start something in this sort of normal life that you're trying to live, you get a job. So you have this constant struggle because you want to be able to commit to things and to finish things in your life, but then you also want to be able to act.
You need to be growing and getting better, and in L.A., it's so hard to get bookings. You literally have to pay clubs to book you. It's pay to play, and then you only get 30 minutes. That's no way to get good.
When I was in Enschende, beside my apartment there was a field with cows grazing in it. Then, I'm in Milan and discover Fashion Week, the restaurants, the clubs and only beautiful women.
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