A Quote by Bill Callahan
You get into moods - like, if somebody does something to you, then you're angry for maybe 30 seconds, or maybe 30 years. I was always interested in capturing those awful, unflattering things that everybody goes through - those hot moments, captured in ice.
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Restaurants are like having children: its fun to make them, maybe, but then you have them for good and bad. You are going to have to raise them and if something goes wrong when they are 30 years old, they will still be your little boy.
Restaurants are like having children: it's fun to make them, maybe, but then you have them for good and bad. You are going to have to raise them and if something goes wrong when they are 30 years old, they will still be your little boy.
Most of my last 30 years have been like that. Results and manifestations of things I'd dreamed of as a young kid and wanted as a child and as a young man. I realized it maybe 30 years ago. I thought, "This is unreal. This has happened as I expected it to, as I'd pictured it." My whole life has been like that and I'm fascinated by that power that we all have. That we create our lives as we go.
Just like I described in health care, yeah, somebody comes in, they got new ideas, maybe ideas that are completely opposite of my ideas. Maybe some of it goes, maybe some of that progress goes back. Maybe they think of some things we didn't think of, and so in some other areas - we can learn something.
Maybe you're a little selfish that day; maybe you want something, and it can't happen, but you don't want to take no for an answer. Everybody has those moments, and you just have to be okay with being open and showing it.
The thing is, people only care about their selfie. I am a fan of artists, and if I have 30 seconds with an artist, I am not going to take a photo just to prove on social media that I was with the artist. I am going to enjoy every single second of those 30 seconds, ask questions, talk, actually make something of the moment, thank them.
Once I start something, I always finish it. They had been trying to get X-Men made for 30 years and they thought maybe if I got involved, it might actually happen.
When you're in your twenties you always think that 30 is a long ways off, and maybe you'll have things in line when you hit that number - maybe own a house or be married.
I feel like I've been guarded since I was about three years old. I don't know why. I come from such a huge family, so maybe it's that. Maybe it comes from going to Christmas and having 30 people all in your face at once. I've always been a bit like, 'Aaargh!'
There are so many things out there now like these 30-minute workouts. I don't know if they work, but a lot of people have jobs and they don't have time to go to the gym. They can do those little 30-minute workouts they see on TV, or get one of those little portable gyms for their house. I think that's a good start.
There's nothing in the world like live entertainment. With TV, you have to wait for your results; with live entertainment, people let you know right then and there. That relationship is established in 30 seconds. The first 30 seconds, they'll let you know whether they like you or not.
I’ve lost someone, too,” he reminded her. “It’s not the same!” She squeezed the bridge of her nose, trying to stifle her tears. “I was so mean to him. I quit the piano! I blamed him for everything, and I didn’t say more than a few words to him for three years! Three years! And I can’t get those years back. But maybe if I hadn’t been so angry, he might not have gotten sick. Maybe I caused that extra… stress that did all this. Maybe it was me!
We're living history all the time, in the papers, in the news, you think about stuff and it goes into your brain and you think about it and it comes out somehow. You have an idea; you've heard a phrase, or you're angry, or something disturbs you, or something seems paradoxical to you, you explore that idea, much like a writer would explore maybe an idea through metaphor. Maybe artists use their vehicle to explore ideas, so I think the things that interest me are the kind of idea of continuous change and how nothing stays the same and it's always disintegrating into something more.
Editing rooms are kind of, by definition, a bubble of you and the editor and what you're thinking. It's a truth-telling thing to watch it through someone else's eyes, is to get another level of real with your material. Like, "Maybe that's not that funny. Maybe that's not as interesting. Maybe that's redundant to something else. Maybe we can cut down." I don't know. It's a brutal, honest process. You've got to be pretty - You can't be sentimental. You have to be. It's a cold process. You can't be nostalgic. You have to make those tough decisions.
I feel like my timeline has moved so many times in my brain. I used to be like, 'Maybe like 30' because that's when my older sister had her first kid. Now that I'm 30, I'm like, 'I don't want to have a baby in a long time!'
The things that were happening 30 years ago are now very interesting to people, now very much in style again. There is some kind of 30 year resonance that goes through human culture and expresses itself in different ways.
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