A Quote by Bill Clegg

I'm rereading Jenny Offill's 'Dept. of Speculation.' I love it, and she's just a magician. Line by line and paragraph by paragraph, it's mesmerizing and so intricately plotted and so nimble.
Find something that thrills you, and when you finish reading it for enjoyment, read it again line by line, paragraph by paragraph to see what you liked about it.
Dept. of Speculation is gorgeous, funny, a profound and profoundly moving work of art. Jenny Offill is a master of form and feeling, and she gets life on the page in new, startling ways.
Read! Read! Read! And then read some more. When you find something that thrills you, take it apart paragraph by paragraph, line by line, word by word, to see what made it so wonderful. Then use those tricks next time you write.
Jenny Offill's Dept. of Speculation resembles no book I've read before. If I tell you that it's funny, and moving, and true; that it's as compact and mysterious as a neutron; that it tells a profound story of love and parenthood while invoking (among others) Keats, Kafka, Einstein, Russian cosmonauts, and advice for the housewife of 1896, will you please simply believe me, and read it?
I am terribly interested in the paragraph: the paragraph as an object, the construction, and the possibilities of what a paragraph can do.
Whenever I teach writing I tell them to never revise as you go. Finish the first draft. This is my writing advice. I can't do that myself. I'm lying to everybody. I write a paragraph, and then I rewrite that paragraph. I want to feel like I'm standing on firm ground before I move on to the next paragraph. Mentally, I have to do that.
When I'm constructing a poem, I'm trying to write one good line after another. One solid line after another. You know a lot of the lines - some hold up better as lines than others. But I'm not thinking of just writing a paragraph and then chopping it up.
I count it a high honor to belong to a profession in which the good men write every paragraph, every sentence, every line, as lovingly as any Addison or Steele, and do so in full regard that by tomorrow it will have been burned, or used, if at all, to line a shelf.
I just wanted to speak to you about something from the Internal Revenue Code. It is the last sentence of section 509A of the code and it reads: 'For purposes of paragraph 3, an organization described in paragraph 2 shall be deemed to include an organization described in section 501C-4, 5, or 6, which would be described in paragraph 2 if it were an organization described in section 501C-3.' And that's just one sentence out of those fifty-seven feet of books.
One of the most difficult things is the first paragraph. I have spent many months on a first paragraph, and once I get it, the rest just comes out very easily.
Force yourself to reflect on what you read, paragraph by paragraph.
The first paragraph of my book must get me my reader. The last paragraph of a chapter must compel my reader to turn the page. The last paragraph of my book must ensure that my reader looks out for my next book.
I'm convinced that the Christian claim is really true, that this is just a warm up to the big event. That this is just the appetizer to the feast, and if we can plug into that and understand that this part of our story is just the introduction, it is not even the first line of the first paragraph, it's just the first letter or first word. We are just getting started.
Having imagination, it takes you an hour to write a paragraph that, if you were unimaginative, would take you only a minute. Or you might not write the paragraph at all.
The first paragraph. The last paragraph. That's where the story is going and how it's going to end. Or else you'll go off in a hundred different directions.
I started writing half a paragraph of a mystery novel, half a paragraph there, and they were terrible.
This site uses cookies to ensure you get the best experience. More info...
Got it!