A Quote by Bill Cosby

Zip zop wop boopity bop. — © Bill Cosby
Zip zop wop boopity bop.

Quote Topics

Zip
I was washing dishes at the Greyhound bus station at the time and I said, 'Awap bop a lup bop a wop bam boom, take 'em out!'
I got really sick of playing just, like, 'Bop-bop-bop-bada-bop-bop-bada-rapa-pah.' Just playing that 190-beats-per-minute punk-rock songs, I didn't feel it anymore. And I always loved melody - when you looked back on those early records, there's always a hook buried in there somewhere.
We not only grew up on Be-Bop; Be-Bop raised us. For my generation, Be-Bop came on like a light bulb going flash behind the eyes.For us, it was not only an intellectual movement, but a way of life. We walked, dressed, and rapped Be-Bop.
A-bop-bop-a-loom-op-a-lop-bop-boom.
I sang do-wop on the street corner before it was called do-wop.
If a guy is gonna to play good bop, he has to have a sort of a bop soul.
All I want to say to people, man, is, "Yo, you see me walking down the street and I got a little bop in my walk, don't think because I've got a bop in my walk I'm trying to be all that. The bop in my walk is because I'm just like you, man. I bop when I walk." Know what I'm saying? I'm proud. If you see me smiling, standing straight up, gold around my neck, it's not because I'm conceited. It's because I'm proud of what I achieved. I made this. I worked hard for this. That's all this is about.
The first time I recorded without Allen Toussaint, I wanted to do doo-wop. Everything I've done since then has got some kind of doo-wop essence in it.
'Doo-wop' is a very special word for me. Because I grew up listening to my dad who, as a Fifties rock & roll head, loved doo-wop music.
I've been into every doo-wop there is. I think I went to the university of doo-wop-ology.
I think the people are just looking for freedom in music...There's a lot of she-bop she-bop going on out there. Maybe they're tired of that same old thing.
I did have my beginnings in doo-wop music; I had a group called the Tokens in Brooklyn. They went on, of course, to do 'The Lion Sleeps Tonight' and a lot of other great things. I went on as a soloist. But I still love doo-wop music.
'Cause it's jail, everyone thinks they're bad. So this one guy was like, 'What're you gonna do, 'Lean and Bop' for us?' I was cocky, I was like 'Oh yeah? It costs five racks to see me lean and bop, It costs five racks to see me lean and bop.' But deep down inside it was hurting. It's moments like that make me hate - I feel like I sold out.
I was singing doo-wop on the corner under the streetlight with four other guys when it wasn't called doo-wop. We just got together and sang, so that music is inside of me. It's a lot of stuff that has been rolling around in here and becoming this compost and has made me who I am as a singer.
You can't just, boopity-boop, saunter into the Treasury. You need an appointment.
Doo-wop is the true music to me, man. Doo-wop was what nurtured me and grew me into who I am, and I guess even when I was in school, the teacher probably thought I had ADD or something every day, because I'd be beating on the desks, singing like the Flamingos or the Spaniels or Clyde McPhatter or somebody.
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