A Quote by Bill Cosby
I don't think you can bring the races together by joking about the differences between them. I'd rather talk about the similarities, about what's universal in their experiences.
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People are valuable regardless of the color of their skin. You can be open about it and talk about it. You don't have to pretend that you are not different, but you can learn about those differences God didn't say, 'Ooh, I made you brown on accident.' He made them that color on purpose. And if you do not have friendships with other races, then ask God to bring you some. He will.
For me, what works well about 'Life in a Day' is that it's emotionally affecting without being manipulative. It really does make you think about the connectivity of the world, the similarities and differences. It shows the experiences we all go through: birth, childhood, falling in love, having kids, getting ill, dying.
I think, in the United States, we talk about race as a black and white issue... We're generally talking about it as if it's a binary equation whereas, in fact, there's more than two races and, in fact, those races blend together. There are a lot of different ways that people identify.
We want to bring the kids, the parents, the grandparents and grandkids together, we want them to have a shared viewing experience. We want the kids to talk about it in the playground, dad to talk about it down the pub, grandma to talk about it while she's out shopping.
I don't hide anything about my life, I talk about everything. I talk about it - all kinds of things. I've done songs about bad experiences, a couple about growing up in the ghetto and being abused, sexually. Being raped. And I talk about it.
There are a lot of little things about our bodies that we all know, but we never talk about. That's what interests me. These are practically universal experiences; nobody mentions them! Some of them are disgusting. Some of them are appallingly revolting and degrading even to the most degenerate mind. So let's get started with a couple of them.
All the subject matter I talk about isn't new; all comics talk about the same things. But it's how you talk about them or present them or what you look like up there that makes the difference between an okay comic and a great one.
There's going to be biological differences between the genders. There's going to be biological differences between two women or two men. There's biological differences between all of us. My concern is, why are we so concerned about it? Why are we so worried about it? Why, whenever a study comes out about men do this one way and women do this one way, or men's brains and women's brains - why are we so interested in that? You know, what makes us so fascinated by differences between the sexes? And I think more often than not that interest is deeply embedded in sexism.
One of my favorite literary theorists, Mikhail Bakhtin, wrote that the defining characteristic of the novel is its unprecedented level of "heteroglossia" - the way it brings together so many different registers of language. He doesn't mean national languages, but rather the sublanguages we all navigate between every day: high language, low language, everything. I think there's something really powerful about the idea of the novel as a space that can bring all these languages together - not just aggregate them, like the Internet is so good at doing, but bring them into a dialogue.
I belong to a bowling team with black and Latino coworkers. And when we get together and we talk about politics - I'm almost quoting him - he said, we don't talk about Black Lives Matters. We talk about what matters to our families. We talk about jobs, and we talk about the fate of the country. That is America, and you can reach those people.
If you want to talk about grace, if you want to talk about revelation, talk about your life with some depth, which doesn't mean lurid revelations as much as simply looking at your own deep experiences and describing them as they are.
I think when people talk about race relations in America, they talk about African-American and white people. Asians are not often brought into the conversation. But there's a historical legacy of issues between them. It's hard to be like, 'What about us?' But we are a little underrepresented.
It is a universal principle that you get more of what you think about, talk about, and feel strongly about.
I think any information about any type of art form, it's always the right time. But since the last one, I could see there were many things about the culture of DJing that we don't really talk about. We don't really look at how the music is made, how it's conceptualized, how it's put together. We talk about the equipment and the software, but we don't talk about the reasons why we put the music together in the first place.
The national media will talk about national problems because it's something that everyone in all 50 states can understand, but the reality is these are minor factors. These are local races. ... The issues tend to be less ideological than for Senate races or races for president. ... It's about potholes and streetlights.
Politically, I don't care what party you're from, offer a point of view and let's see what happens and really debate the issues rather than use personal attacks. Really talk about it, talk about immigration, talk about education, talk about pollution.
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