A Quote by Bill Cosby

A white person listens to my act and he laughs and he thinks, 'Yeah, that's the way I see it too.' Okay. He's white. I'm Negro. And we both see things the same way. That must mean that we are alike..... So I figure I'm doing as much for good race relations as the next guy.
People basically aren't that racist. They want their laughs. If I make a white guy laugh, he's gonna come see me. He's not gonna go see the white guy who doesn't make him laugh just because that guy is white.
No two people see the world exactly alike, and different temperaments will often apply the same principle, recognized by both, differently. Even one and the same person won't always maintain the same views and judgments: earlier convictions must give way to later ones.
I think the play offers (white Americans) a different way to look at black Americans For instance, in 'Fences' they see a garbageman, a person they don't really look at, although they see a garbageman every day. By looking at Troy's life, white people find out that the content of this black garbageman's life is affected by the same things- love, honor, beauty, betrayal, duty. Recognizing that these things are as much part of his life as theirs can affect how they think about and deal with black people in their lives.
I see a sea of networkers all doing and saying the same things. They look alike, act alike and sound alike when speaking to prospects. If you want to rise above the average, mediocre networker... then you have to think differently.
I guess, in a way, I grew up mixed race: half white, half black. That question's always been on my mind: 'What are you? Are you this or that? Are you a white dude or are you a black dude?' In a strange way, music and comedy is kind of the same thing. I'm both.They're just different modes of expression.
I guess, in a way, I grew up mixed race: half white, half black. That question's always been on my mind: 'What are you? Are you this or that? Are you a white dude or are you a black dude?' In a strange way, music and comedy is kind of the same thing. I'm both. They're just different modes of expression.
I got pictures of us and they would draw big red rings around us and tell what they thought of us. I got a letter said, "I have been shot three times throught the heart. I hope I see your second act." But this white man who wants to stay white, and to think for the Negro, he is not only destroying the Negro, he is destroying himself, because a house divided against itself cannot stand and that same thing applies to America.
I guess I've always had such an identity crisis when it comes to other people's understanding of me. I don't feel it in myself but from an outsider's point of view, I can see they must be thinking, "Who the hell does this guy think he is?" But recently I've been thinking, okay, a white guy can't sing soul, but would a black person be made exempt from singing opera because it's not a tradition that belongs to them? It's the same kind of argument.
Before and after emancipation, the Negro, in self-defense, was propelled toward the white employer. The endowments of wealthy white men have developed great institutions of learning for the Negro, but the freedom of action on the part of these same universities has been curtailed in proportion as they are indebted to white philanthropies.
Black and white is so familiar. It's how we see the printed word in books, so it's kind of neutral in a way. Yet it's ironic that black and white is so charged socially, what with its association with race.
Now, suppose a Negro does something really magnificent, and I glory, not in the benefit to mankind, but in the fact that the doer was a Negro. Must I not also go hang my head in shame when a member of my race does something execrable? . . . The white race did not go into a laboratory and invent incandescent light. That was Edison. . . . If you are under the impression that every white man is an Edison, just look around a bit.
My enemy is not the average white guy, its not the kid down the block or the kids I see on the streets. My enemy is the white I don't see: the people in The white House, the corporate monoply owners. Fake liberal politicians-those are my enemies.
I suppose the "dilemma" might come up if I see a black athlete from the U.S. squaring off against a white Canadian athlete. Who do I want to identify with? I certainly will not and cannot say that race determines how I see competition. I'm certainly aware of how race plays into the way others see and portray competition some times, but I don't have to invest in it that way myself. Unless it's boxing.
No white American ever thinks that any other race is wholly civilized until he wears the white man’s clothes, eats the white man’s food, speaks the white man’s language, and professes the white man’s religion.
People approach people of color with preconceived ideas. I don't think this is just restricted to white people, but I think that lots of black and white artists, when race is a subject matter, they put race or the ideology around race first. They don't see the person and the complications of the human being.
I would love to see an America where race is understood in the same way that the ethnic diversity of the white population is understood.
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