We're perfectly willing to trade away a big payoff for a certain payoff.
If the question was did we want to delay the revelation?... Yeah, you want to delay it as long as possible because the audience knows that that moment is coming and you want to make them wait for it. They have to suffer a bit.
Movies require a lot of patience. I like instant results. If I have done something that's not funny at all, the audience will let me know in two seconds. With the movie, I will have to wait nine months to know if I was that bad.
A lot of times girls think they're funny, but they want to pretty at the same time, and if you want to be funny, you have to be willing to get ugly.
What I said was I’ll miss you what I meant to say was I love you what I wanted to say was that I meant what I said and it’s funny how all those things I could have said flooded my head after we said goodbye and I should have told you I’d be willing to hold you until my flesh crumbles into bone because I’m willing to die alone but god knows I don’t want to live that way.
If you want someone, you have to be willing to wait for them and trust that what you have is real and strong enough for them to wait for you. If somebody jumps ship for you, that fact will always haunt you because you'll know they're light on their feet. Spare yourself the paranoia and the pain and walk away until the coast is clear.
It is funny about money. And it is funny about identity. You are you because your little dog knows you, but when your public knows you and does not want to pay for you and when your public knows you and does want to pay for you, you are not the same you.
Listen, wait, and be patient. Every shaman knows you have to deal with the fire that's in your audience's eye.
From an acting standpoint, you've got to continue to trust your gut because, ultimately, only that will result in a better product, making the audience more happy and resulting in the right payoff.
He knows I'm brutal. He's knows I can punch hard. He knows if I connect on his chin, at any one moment, 12 three minute rounds, he's going to be in serious trouble. If he's not on the floor, his legs will do a funny dance.
Wait, wait, wait, wait. Don't try to write through it, to force it. Many do, but that won't work. Just wait, it will come.
In acting you do a lot of research. Audience watch Jet Li because of the fight. They watch other actors because they are funny. If they want funny, they don't want to see Jet Li, they watch the other guy. That's the reality I face, until the one day I can prove I can make film without action that is a fun movie. Then everybody will say Jet Li, hmmm.
You can get ahead in the world. But you will have to work, you will have to want tremendously to accomplish something, and then be willing to pay the price. Are you willing?
If you tell the reader it's funny, then the audience is like an audience at a stand-up comedy club and they expect you to be funny, and if you're not, they notice. Whereas if you read a regular op-ed about Israel or the family or medicine, you're not starting with the assumption that you're supposed to laugh.
Many actors are not willing to wait and take the risk. They get restless sitting at home and, eventually, take up anything that comes their way. It's not that I wasn't offered supernatural shows and love stories again, but I chose to wait for the right opportunity. I deserve variety, or I will feel stagnant.
Here's the funny thing: Nothing drives a performance like an audience that gives back and even takes over. ECW was a product that will be remembered as much, if not more, for its audience interaction as for the things that happened in the ring.