A Quote by Bill Crawford
Never define people or situations in terms of their effect on you, unless you want to give them the power to make you feel that way.
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People above you, they never want to share power with you. Why you look to them? They give you nothing. People below you, you give them hope, you give them respect, they give you power, cause they don't think they have any, so they don't mind giving it up.
I'm not comfortable walking on a red carpet. I think a lot of people actually love that part of it. I'll never be a "look at me" guy. It's not in my DNA and I struggle in those situations. What gives me anxiety is knowing I have to be honest with people, and as much as people say they want honesty, the minute you give it to them, they don't want it. Sometimes I can tell I'm being baited for a certain answer and that's not the answer I give and I can tell it upsets them.
It's sort of a feeling of power onstage. It's really the ability to make people smile, or just to turn them one way or another for that duration of time, and for it to have some effect later on. I don't really think it's power... it's the goodness.
But regardless of our circumstances, they do not define us - not unless we give in and let them. Circumstances never determine who we are; they reveal who we are.
. . . I do think that deep down, a lot of my work is about people trying to make reasonable accommodations of situations that are insane or absurd. . . . At first I thought the events had power in themselves, that I would just present them. I really wasn't aware of the things that finally became central issues to me - the shifting alliances, the way people hardly even know they've shifted. That part of [A QUESTION OF MERCY] is very familiar to me in terms of my other plays.
If we say that monsters [people who do terrible evil] are beyond forgiving, we give them a power they should never have...they are given the power to keep their evil alive in the hearts of those who suffered most. We give them power to condemn their victims to live forever with the hurting memory of their painful pasts. We give the monsters the last word.
I feel that one of the roles of the artist, in the way I define it, is that I need to be not just someone observing these tiny pockets of people on the planet who have devoted their lives to preserving whatever it is they're passionate about. I want to be them. I am one of them. I just have a different outlet and final outcome as an artist than many of them would. For them, the process can just end in holding on to it, just knowing they've got it tucked away in their private collection. I value that so much, but I feel the conversation dies in a way there.
Nobody has the power to make you miserable . . . unless you choose to give them that power. Choose to enjoy every drop of today!
One way to feel good about oneself is to not fail. The easiest way to not fail is to not try in the first place. So, I see lots of people give up before they start. That way they don't have to face uncomfortable failures. They can sort of "remain on the sideline while the game is going on." While this may make people feel good about themselves, it won't get them any power or success. As any successful salesperson will tell you, if you haven't been rejected, you haven't tried enough with enough people.
I have a little two-bedroom house and that's the way I like it. We live in a time where it's cool to present this luxurious lifestyle on social media. I don't want to be a part of something that makes people not be happy with their own life and crave this false sense of reality. I don't want people who are working that blue-collar job and barely getting by to feel bad. I don't want those people to feel like they're not doing something right because they're not flying around on jets or driving fancy cars. I never want to make them feel like they're not worthy.
I feel like a lot of people that have been in similar situations as I have, reality TV stars, you can make a packaged version of yourself if you want to - I just don't work that way. I can't do it.
There are so many different ways to make art. And so many good stories. You don't have to have a budget. I feel like it's super possible these days for people to make anything, no matter who you are or where you come from. And that's really exciting. I'm excited to see people around me pushing boundaries in that way, not letting certain structures define them or what art they can make.
It must be remembered that in those great days I was considered to be an "integrationist" - this was never, quite, my own idea of myself - and Malcolm was considered to be a "racist in reverse." This formulation, in terms of power - and power is the arena in which racism is acted out - means absolutely nothing: it may even be described as a cowardly formulation. The powerless, by definition, can never be "racists," for they can never make the world pay for what they feel or fear except by the suicidal endeavor which makes them fanatics or revolutionaries, or both.
Existence is beyond the power of words to define:
Terms may be used
But are none of them absolute.
It's not enough to have a dream, Unless you're willing to pursue it. It's not enough to know what's right, Unless you're strong enough to do it. It's not enough to learn the truth, Unless you also learn to live it. It's not enough to reach for love, Unless you care enough to give it Men who are resolved to find a way for themselves will always find opportunities enough; and if they do not find them, they will make them.
What I think the political correctness debate is really about is the power to be able to define. The definers want the power to name. And the defined are now taking that power away from them.
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