A Quote by Bill Dedman

Though some student activists of the 1960s may have idolized Alinsky, he didn't particularly idolize them. — © Bill Dedman
Though some student activists of the 1960s may have idolized Alinsky, he didn't particularly idolize them.
As a kid I always idolized the winning athletes. It is one thing to idolize heroes. It is quite another to visualize yourself in their place. When I saw great people, I said to myself: I can be there.
There is a distinction between what may be called a problem and what may be considered an exercise. The latter serves to drill a student in some technique or procedure, and requires little if any, original thought... No exercise, then, can always be done with reasonbable dispatch and with a miniumum of creative thinking. In contrast to an exercise, a problem, if it is a good one for its level, should require though on the part of the student.
I have felt uncomfortable having people say, "You're my idol," because I want them to idolize God. I want them to idolize somebody that's done a lot.
I wasn't a particularly brilliant student, but on the other hand, I was very active in Student Union affairs and in student politics.
Do not let the Obama administration fool you with all their cunning Alinsky methods. And if you don't know what that method is, I implore you to get the book 'Rules for Radicals,' by Saul Alinsky. Mr. Obama is very well trained in these methods.
Alinsky's 1971 book, 'Rules for Radicals,' is a favorite of the Obamas. Michele Obama quoted it at the Democratic Convention. One Alinsky tactic is to 'Pick the target, freeze it, personalize it, and polarize it.' That's what the White House did in targeting Rush Limbaugh, Rick Santelli and Jim Cramer.
Even though some of the films I've made haven't been particularly commercial, I don't find them failures.
Physical access is one of the very first issues disability rights activists of the 1960s and '70s fought for.
You know, when you've idolized something, you put it on a shelf, lift it up, and when King Day comes out, you pull it out and show it. Or when Black History Month comes out, you show it, or when April 4th or other times, you show it. But, you see, Dad wouldn't want us to idolize.
So that godly sorrow may be discerned by this train of graces wherewith it is accompanied, that worldly sorrow wants, at least in the truth of them, though it may have some shadows of them.
It's not like I idolize this one guy Machiavelli. I idolize that type of thinking where you do whatever's gonna make you achieve your goal.
I had done some acting at school, but I wasn't particularly good at it. What inspired me was going to the Old Vic in the late 1960s and early 1970s, when the National Theatre was based there.
You will have significant experiences. I hope that you will write them down and keep record of them, that you will read them from time to time and refresh your memory of those meaningful and significant things. Some may be funny. Some may be significant only to you. Some of them may be sacred and quietly beautiful. Some may build one upon another until they represent a lifetime of special experiences.
Though I do believe that when you live in political times it is inevitable that your art be political, I also think we need to start making activists celebrities rather than trying to make celebrities to be activists.
If you're a student that likes to, you know - that wants to go into the trades and have an incredible job, and you're a student that loves the electricity or whatever it may be, in all honesty, a lot of times when you walk the halls people may - other kids may look down on you a little bit. It's not fair. It's not right.
The Chipko activists have always been close to my parents, since my father was among the few forestry officials who supported them within the bureaucracy. And I was involved with the Chipko movement in my student days.
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