A Quote by Bill Dixon
When Coltrane died, a void appeared in this music that has not been filled yet. He maintained a forward motion in his work and did not look back.
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You know, John Coltrane has been sort of a god to me. Seems like, in a way, he didn't get the inspiration out of other musicians. He had it. When you hear a cat do a thing like that, you got to go along with him. I think I heard Coltrane before I really got close to Miles [Davis]. Miles had a tricky way of playing his horn that I didn't understand as much as I did Coltrane. I really didn't understand what Coltrane was doing, but it was so exciting the thing that he was doing.
I find that a man is as old as his work. If his work keeps him from moving forward, he will look forward with the work.
If you look long enough into the void, the void begins to look back through you.
When you strip hope from people, it leaves a void, and that void needs to be filled. And very likely, that void is going to be filled by an ideology... Hope and faith are so connected. Now, when ideology connects with faith, the ideology becomes an item of faith, not a point of discussion.
In the eyes of the unrighteous it appeared that God did not intervene and that His Son died, but for believers it was at that precise moment that true glory was manifested and definitive salvation achieved.
I'm going to be looking forward, asked to be judged on my record, not taken back as has been the - in a sense, the tendency throughout politics in Northern Ireland, is to always look back, always look at what was said a long time ago, instead of looking forward.
Then the voices of the Ainur, like unto harps and lutes, and pipes and trumpets, and viols and organs, and like unto countless choirs singing with words, began to fashipn the theme of Iluvatar to a great music; and a sound arose of endless interchanging melodies woven in harmony that passed beyond hearing into the depths and into the heights, and the places of the dwelling of Iluvatar were filled to overflowing, and the music and the echo of the music went out into the Void, and it was not void.
It's so easy to look forward when you're travelling; you spend your life looking forward, thinking, 'What's next? When do I get time to work on my music again? Or when do I get time to get my 'normal' life back?'
Right before my dad died he was planning to go to New York City for the video music awards that he was nominated for, the MTV music awards. You couldn't tell him he wasn't going to go. It was going to happen. But he wound up having to check into the hospital there, and not too long later he died. But his spirit never gave up - his body did.
When you look back on a historical period of music, it seems so obvious to you what the characteristics of it are, but they're not obvious at the time. So, when I look back at my own work, I could easily write a very convincing sort of account of it that made it look like I had planned it all out from day one and that this led logically to that and then I did this and then that followed quite naturally from that. But that's not how it felt.
Voidness is that which stands right in the middle between this and that. The void is all-inclusive, having no opposite--there is nothing which it excludes or opposes. It is living void, because all forms come out of it and whoever realizes the void is filled with life and power and the love of all beings.
Had he been willing to live a hypocrite, he would have been respectable, he at least could have died surrounded by other hypocrites, and at his death there would have been an imposing funeral, with miles of carriages, filled with hypocrites, and above his hypocritical dust there would have been a hypocritical monument covered with lies.
There is a gesture he has, a motion, that always reminds me of a great batter leaning into a hit. He has a way of throwing one foot forward, putting his head down a bit as he silently runs the valves, and then the cheeks bloom out in the way that has mystified his dentist for years, and he hits into the solo. When that foot goes forward like that, you know that John Birks Gillespie is no longer clowning. Stand back.
Once, hurrying through a busy airport to get to my gate on time for a connecting flight, I came upon a lady in a wheelchair. Amidst the chaos of the hundreds of people rushing around us, my eyes met hers. The sweetest smile appeared on her face. I smiled back, but I knew she would never fully realize how that small gesture had filled my soul. I believe that God is in our everyday. Many moments occur in our lives which reveal his face, his touch, his voice. Look for him today. He will be found.
Nelson Mandela's contribution to the people of South Africa has been immeasurable and I look forward to helping with his work all over the country.
When you look back over 100 years when stop-motion was really at the dawn of cinema, a lot of the ways it developed was you had stage magicians who were looking to bring their illusions to life, and one of the ways they did that, at the time, was through cinema and stop-motion. They developed these processes.
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