A Quote by Bill Duke

The only chance for a guy like me is to make a decent picture for a reasonable budget. If it brings in a profit for investors, maybe I'll have the opportunity to make something else.
A movie like House of the Dead with around $7 million budget or Alone in the Dark with around $16 million budget are much easier to make profit than the typical $50 million major motion picture.
Unless you have prepared yourself to profit by your chance, the opportunity will only make you ridiculous. A great occasion is valuable to you just in proportion as you have educated yourself to make use of it.
When I can make music and don't have to think about anyone else's ideas or voice - when I'm making something that only I can make - it feels good. It's nice when you can find a sound that only you can make. No one else can make 'Cosmogramma.' No one else can make 'Until the Quiet Comes.'
You can't try and make something you think someone else will like. You can only make what you like. How can you make a song that Yo-Landi Visser likes? You don't know me. You'll never understand me.
If you give anybody the chance, they can always make a decent human being out of themselves. It's the people that don't have a chance, that we look down at like they're monsters or they're animals or that they want something different than the rest of us.
With Sumthin Else Music Works, I wanted to spread the love and give newcomers a chance to make it because something that really helped me were all the people who had given me an opportunity when I was putting my career together.
I don't see myself as a movie maker only. When I can do a picture, I do. But I don't work like a business, in pictures. I am not obliged to make one picture after the other in order to live. I write books, I write for comic books, I give lectures... I live. And when the opportunity comes to do a picture, I do a picture.
You can only make money if you buy a product, whatever it is - maybe a currency, maybe wheat and maybe something else - at a relatively low price and sell it at a higher price than you buy it at. There's no other way to make money.
And I like being able to go back and forth, and I don't really care if it's a small budget or big budget or studio or independent, as long as it's got a story that's compelling and there's enough money to make the picture.
I may not get the opportunity to make movies for my whole life, but I'm going to make movies for the rest of my life. Maybe studios won't pay for it, but I'm going to do it because I love it. So, I just have to be proud of what I make, and what I'm trying to say in what I make. If people don't like it or people don't see it, that's beyond what I can control. I'm a storyteller, and people are going to listen or not and like it or not. That's only solidified over time.
Never forget that you only have one opportunity to make a first impression - with investors, with customers, with PR, and with marketing.
It wasn't just like, "I want to make a record that sounds like classic rock" at all. It was more like, "I want to make a record that is a little more unsettling and maybe isn't as easily understood now." That just seemed more important, like, for me to make as an artist, than it was to make something to make people feel safe right away.
Maybe...in a way, this coffee reminds me of something. Maybe...maybe only a philosopher or a mad man would make this connection, but it's a little like life. I mean it's powerful going down and that doesn't even take into account the aftertaste, which really takes getting used to.
I can understand that an audience, buying a ticket to see a picture of mine, wants to see something funny because they feel confident that at least I have a fighting chance to make a funny film when I make a film, whereas if I make a dramatic film there's one chance in a thousand that it's really going to come out great, so I understand how they feel about that and they're completely right.
Only when I make movements away from the tribe of indie art and literature. Maybe that's something important for me to keep thinking about. What you gain, what you lose, why and how. Maybe the edge of the page is the place for me. Maybe that's OK.
The successful producer of an article sells it for more than it cost him to make, and that's his profit. But the customer buys it only because it is worth more to him than he pays for it, and that's his profit. No one can long make a profit producing anything unless the customer makes a profit using it.
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