A Quote by Bill Duke

I'm an American, but being a black American, my experience is a particular one, my struggles have been particular. — © Bill Duke
I'm an American, but being a black American, my experience is a particular one, my struggles have been particular.
The most important thing in my life is that trying to ameliorate, redeem, the image in particular of African American men, or Black men - I don't really even like that term, "African American," because we're Black people.
Every American has the freedom to choose a particular lifestyle, but that doesn't mean every American has to embrace a particular lifestyle as equally worthy.
When we have an experience -- hearing a particular sonata, making love with a particular person, watching the sun set from a particular window of a particular room -- on successive occasions, we quickly begin to adapt to it, and the experience yields less pleasure each time. Psychologists call this habituation, economists call it declining marginal utility, and the rest of us call it marriage
One thing that sticks in my mind is that jazz means freedom and openness. It's a music that, although it developed out of the African American experience, speaks more about the human experience than the experience of a particular people.
But I think that's a particular kind of experience involving a certain immediacy between you and the canvass, you and the particular kind of experience of that particular moment.
In Latin America in general, and Cuba in particular, poets have been the inspiration behind struggles for independence, struggles for freedom of all sorts.
There is an imagined thing called black culture. But culture is a construction. It is learned behavior, not innate. The black American experience is the American experience.
There are constraints on what counts as "Reformed." It's more than a name or a label. It's about belonging to a particular theological stream or tradition, which is shaped in important respects by particular thinkers and their work, particular arguments and ideas, a particular community (especially, particular church communities, denominations, and so on), particular liturgies or ways of worshipping and living out the Christian life, and particular confessions that inform the practices of these communities.
I do think of my work as being quintessentially American in that it could only have emerged in that particular situation that I find myself. I feel that a lot of my work is working on problems that might be specifically American problems, but not exclusively.
Russia and other countries have been hacking and attempting to attack American institutions for years, that Russia's attack on American elections has been going back for over 50 years. So this is nothing new. And the fact that this particular hack was perpetrated by Russian entities is something that no one is disputing.
I think often if people don't have a lot of experience with a particular type of person or a particular type of brain, they can make dangerous assumptions. That's one of the reasons that I'm so interested in contradicting and troubling held thoughts about black women.
There is a problem in America. An Irish or Polish American can write a story and it's an American story. When a Black American writes a story, it's called a Black story. I take exception to that. Every artist has articulated to his own experience. The problem is that some people do not see Blacks as Americans.
Growing up in the U.S., I was certainly deeply aware of the power of American media, specifically Hollywood and television, in terms of broadcasting a particular vision of what the American experience was like. As someone coming from a war that was a preoccupation of Americans in the 1980s, it did strike me that since we were a part of that war, we should have a chance to talk about ourselves.
The white American man makes the white American woman maybe not superfluous but just a little kind of decoration. Not really important to turning around the wheels of the state. Well the black American woman has never been able to feel that way. No black American man at any time in our history in the United States has been able to feel that he didn't need that black woman right against him, shoulder to shoulder-in that cotton field, on the auction block, in the ghetto, wherever.
One of the great things about the SEAL teams in particular, and the American military in general, is the tremendous diversity of backgrounds and experience that people bring to their service.
The best thing about being immensely wealthy is not having to be in any particular place at any particular time doing a particular task you don't want to do.
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