A Quote by Bill Frisell
I hate labels; the problem is that if you say you're one thing, it's hard for people to imagine you as something else. Music is way more complicated than that.
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Early on, in discussions of financial oversight, people would say, 'Well, this is a very complicated problem, therefore it requires a complicated solution.' And at that step, I would say, 'Well, wait a minute. Just because it's a complicated problem doesn't mean the best course of action immediately is one that's complicated.'
I hate labels, and I wear no labels. When a man has to put something around his neck and say I am, he isn't.
It is hard to communicate understanding because that is something you get by living with a problem for a long time. You study it, perhaps for years, you get the feel of it and it is in your bones. You can't convey that to anyone else. Having studied the problem for five years you may be able to present it in such a way that it would take somebody else less time to get to that point than it took you. But if they haven't struggled with the problem and seen all the pitfalls, then they haven't really understood it.
I think the record industry has gotten to be more about labels wondering what the new single is rather than labels nurturing artists. It's gotten away from making a full album of music that someone would want to listen to all the way through.
Downloading a song for free is the easiest way to get all kinds of music. Everything else is tough and I am sure, even if people wanted to buy music, they won't be able to because they will not understand the way to buy music online. It is a very complicated process.
I can't be a part of the problem. I hate the idea of a label just as much as anyone else but I'm with who I'm with, I love who I love and I'm if not a better actress than I was yesterday and my personal life should have no effect on that. I think that the injustice of people staying in the closet is more than I can bear with a clear conscience and I couldn't sleep at night if I was a part of that problem, if I was part of the lies.
For me, writing music is a way of processing the world. It's not a concrete thing, as in, "This piece is about giraffes." It's much more of an emotional sort of thing. I want people to find something out about themselves through my music, something that was inaccessible before, something that they were suppressing, something that they couldn't really confront.
The problem is how do molecules react. Because if you want to transform a molecule into something useful or something you're interested in, it helps a lot to understand the structure. That means you can explore much more complicated systems, much more complicated reactions.
Just be you. I've learned the hard way and in the end, some people are just so full of hate that no matter what you say or do, they'll always have something to say.
There is no piece of music that could relate to anything else but itself and its world. It is truly an independent. The one thing coplanar with music is the compositional aspect, the fact that you are composing something. Architecture is essentially a score, and what happens with it depends on the people who play it, enjoy it, use it, or hate it.
The most I've ever done was twenty-something, but that's wasn't because I wanted to. I feel like to me it's usually somewhere between two and- no, it's very hard to say because it really depends up on the shot, you know? If it's a complicated master shot and you know that this is the only thing that you're doing for that scene, a complicated one-er, you're going to maybe end up doing a few more takes than you normally would. But I'm not a big believer in doing tons and tons and tons of takes.
I have yet to see any problem, however complicated, which, when looked at in the right way did not become still more complicated.
I have yet to see any problem, however complicated, which, when you looked at it in the right way, did not become still more complicated.
I get to do my own thing with music. I get to write the songs and sing the songs. As an actor, you have to do what someone else tells you to do and say someone else's words. And you're limited by the way you look and music is just more rewarding creatively for me.
The relationship between the imagined and the real is more complicated than people imagine.
I always like junkyards. All this metal piled up - they're filled with pathos, those places. Much more pathos than most of the music I've heard. You look at it, and there's more feeling, even though it's depressing, than there is in a lot of music I hear these days. A junkyard is what it is, whereas listening to a record by, say, Styx, is something else.
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