A Quote by Bill Gates

The early personal computers were not very powerful so the idea of feeding their program into a small amount of memory requires immense skill. — © Bill Gates
The early personal computers were not very powerful so the idea of feeding their program into a small amount of memory requires immense skill.
I think that having been around computers all my life - my father had brought home personal computers at a very early age in the '70s - so being around computers from a very early age perhaps I had even subconsciously seen the exponential progression of what was happening with computers.
I have a crazy amount of different jobs, so the way I manage that is to not do more than one at a time. It's like old computers that had small memory chips, they would do something called swapping, where they would fill the memory with one task, do it and get it out.
In a way, digital cameras were like very early personal computers such as the Commodore 64 - clunky and able to do only a few things.
Professor Wilkes is best known as the builder and designer of the EDSAC, the first computer with an internally stored program. Built in 1949, the EDSAC used a mercury delay line memory. He is also known as the author, with Wheeler and Gill, of a volume on "Preparation of Programs for Electronic Digital Computers" in 1951, in which program libraries were effectively introduced.
Managerial and professional people hadn't really used computers, hadn't sat down at keyboards, until personal computers. Personal computers have a totally different feel.
One can never be sure whether a very early memory is a real memory or just the recollection of something which you were told happened.
Classical music requires an immense amount of concentration, and I don't know if I would've been that committed to that particular life.
I was always a little embarrassed when there was an act on television that requires a great deal of skill but is a little goofy, and the host comes over and acts like the person doing this skill is some sort of fool for having learned to do something that's very, very difficult.
I think that I've always written about things that are very personal, but initially, I coded everything. I buried everything under layers and layers and layers of code, but the signifiers of my emotionality were there for me. I knew where the magnets were, behind the gyprock, and the magnets were very powerful. I think they had to be powerful for me, otherwise the reader wouldn't have a reciprocal experience.
When developers of digital technologies design a program that requires you to interact with a computer as if it were a person, they ask you to accept in some corner of your brain that you might also be conceived of as a program.
When you relate to thoughts obsessively, you are actually feeding them because thoughts need your attention to survive. Once you begin to pay attention to them and categorize them, then they become very powerful. You are feeding them energy because you are not seeing them as simple phenomena. If one tries to quiet them down, that is another way of feeding them.
The human brain had a vast memory storage. It made us curious and very creative. Those were the characteristics that gave us an advantage - curiosity, creativity and memory. And that brain did something very special. It invented an idea called 'the future.'
The human brain had a vast memory storage. It made us curious and very creative. Those were the characteristics that gave us an advantage - curiosity, creativity and memory. And that brain did something very special. It invented an idea called 'the future.'
The fact you can manipulate people because you can hack them and learn everything about their personal lives - that's an immense amount of power.
I was trained in the Society of the Inner Light. Now that requires that you spend a certain amount of time in meditation, it also requires that you spend this time in early morning, because they say you're closer to the sleep state at that point.
As sonic journalists, we were increasingly becoming bombarded with global images. It was the early idea of the cut-up, the idea of images being juxtapositioned, which we were doing with sound. That was the early days of samples.
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