A Quote by Bill Gates
We need to get a broader awareness. People say climate change is really bad, but painting that picture of what you're putting at risk.
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Hollywood is the perfect conduit for the urgent message about climate change. We raise awareness all the time. We routinely take a film that nobody knows about and get 80 percent of the public to know about it in just 30 days. That's called marketing. We need to harvest Hollywood for climate change awareness.
When I'm painting the picture, I'm really painting a picture. I may have a flat-footed technique, or something like that, but still, to me, the thrill, or the meat of the thing, is the actual painting. I don't get any thrill out of laying it out.
Climate change that is occurring right now is causing so much suffering all around the world. Whether it's adding 30 million people to the "at risk of starvation" list in 2008, whether it's the floods in Pakistan, or entire cultures at risk of disappearing, or desertification in Africa - all these things that are currently being caused by climate change. I think it's something that a lot of people want to figure out: how to make the shift, how to help. It seems like such an overwhelming problem.
We really need to kick the carbon habit and stop making our energy from burning things. Climate change is also really important. You can wreck one rainforest then move, drain one area of resources and move onto another, but climate change is global.
Climate change is putting pressures on the resources we need to survive: water; agricultural land; food.
We need policy change, and the most important thing people can do is to contribute and participate in the political process. We have to vote climate change deniers and people who will create subsidies for the fossil fuel industry out of office. We have to protest when bad decisions are being made about fracking or tar sands.
Despite the international scientific community's consensus on climate change, a small number of critics continue to deny that climate change exists or that humans are causing it. Widely known as climate change "skeptics" or "deniers," these individuals are generally not climate scientists and do not debate the science with the climate scientists.
Our politicians debate this, but our scientists don't. A huge majority of climate scientists say climate change is happening. They say we're causing it and we need to do something about it before it has a terrible effect on all of us.
The water issue is critically related to climate change. People say that carbon is the currency of climate change. Water is the teeth.
Some people say that I should study to become a climate scientist so that I can 'solve the climate crisis.' But the climate crisis has already been solved. We already have all the facts and solutions. All we have to do is to wake up and change.
Because the idea of climate change is so plastic, it can be deployed across many of our human projects and can serve many of our psychological, ethical and spiritual needs...We need to ask not what we can do for climate change, but to ask what climate change can do for us.
People sometimes say we need to be really almost on a wartime footing if you want to change. Our whole economy is based on burning fossil fuels, which is taking CO2 out of the ground and putting it up into the air.
It took me a long time to get to a position where I can feel that, with my art, I'm capable of saying what I need to say, and once I finish it, I can sit back and say, "It's done, and I'm okay with that. People can judge it good or bad, and it doesn't matter. I'm okay with it because I said something I needed to say." That's a really hard place to get, as an artist.
We have to wrap this imperative of addressing climate change in a prosperity framework, and secondly we have to do a much better job of putting forward an American jobs agenda that's a match for the climate challenge.
When both my editors say 'This is really bad, you need to change this,' I ignore that at my peril.
Photography has almost no reality; it is almost a hundred per cent picture. And painting always has reality: you can touch the paint; it has presence; but it always yields a picture - no matter whether good or bad. That's all the theory. It's no good. I once took some small photographs and then smeared them with paint. That partly resolved the problem, and it's really good - better than anything I could ever say on the subject.
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