A Quote by Bill Goldberg
Whether I was a character in WCW, WWE or The Longest Yard, you want to be able to - the best part about myself is that I have a very wide range of emotions in that one second I can be speaking on Capital Hill about dog fighting and giving them a voice, which they can't obviously speak for themselves.
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One thing 'The Very Best of WCW 'Monday Nitro'' really captures, which I remember very well about WCW, was how absolutely electric the crowds were.
When we speak about wisdom, we are speaking about Christ. When we speak about virtue, we are speaking about Christ. When we speak about justice, we are speaking about Christ. When we speak about peace, we are speaking about Christ. When we speak about truth and life and redemption, we are speaking about Christ.
When I first arrived in WWE after having a somewhat high profile on-air role in WCW, it was WrestleMania season. In a way, I was perceived to be the voice of WCW after the Ted Turner/TBS buyout of Jim Crockett Promotions. That 'claim to fame' did not endear me to many WWE personnel.
The bad news was that the yard contained a dog. A very, very large dog, wide and hairy, like a cross between a rottweiler and a Goodyear blimp.
If I were president, I would want to spend a lot of time going to the legislatures and telling them about best practices, whether it's about fighting poverty, whether it's about educating kids. The states are the laboratories where we can see what works. And I think presidents can have a much better relationship with legislatures.
I always tell myself that when you're playing a character, pretend they're on trial and you're giving the best witness of their life. You really need to think about every element of the character and represent them properly, as if they were a real person. You want to give 100 percent of what they're worth and what they deserve as people.
The dog who doesn't bark is about a silence that speaks; it is a good metaphor for the Pariah voice, the dog's voice, that we can sometimes hear only when it does not speak.
I am very timid about speaking for the collective. I can say what I see, I can say what I've heard, I can say what I feel, but I can't speak for - no one can speak for - 10 million people, and it takes away something from them if you make yourself their voice.
Part of being who you are has to do with feeling your feelings, which means you'll have a wide range of emotions--not just constant sunshiny happiness.
If you start writing to an audience you're talking down to them. I've never written for any age group, I just write character. If you can capture that you'll get the audiences, and it will be a wide range, as it is for 'Twilight,' it's a pretty wide range.
It's - you know, acting's all about relatability and finding empathy for a character, which is essentially, kind of, you're finding empathy with a part of yourself, which is a part of a character that was written by someone else, which was essentially kind of a part of them as well because it was a voice in their head they wrote down.
I want to be able to still surprise myself, even shock myself, whether it be sexual content, whether it be about the theological content, whatever. I want to be able to knock myself sideways. Otherwise, what a waste of a life that would be.
I just want to do a good job with each role that I take and continue to better myself as an actress because that's what I love about this job... being able to act and work with so many different people on such a wide range of projects.
If you want to get into the business of doing voices for cartoons, you've got to be a good actor. It's all about acting. It's not about the voice. The voice is just one part of what you bring to the character.
So, obviously, autism - which is the key in this - is a very big problem. We need more studies about it. We certainly have to try to figure out what causes it and why and do something about it. But to tab it to vaccines, I think, is a real mistake. Not only is there no evidence, but what it leads to is larger numbers of unvaccinated children. And that's not only a problem for polio. It's a problem for a wide range of vaccine-preventable diseases.
A character has a distinctive voice - you should be able to hear them in your head and conduct a conversation with them while you're out walking. If the answers surprise you, you know it's the character speaking and not you.
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