A Quote by Bill Hader
I would say the biggest difference is that you're just in a studio by yourself when you're making an animated movie. You don't have anybody to play off of.
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I would rather be hired solely for my talent, not just to fill a quota. I also don't want to shoot just any studio movie just to say I'm shooting studio movies - for me, quality of the material comes first, and if eventually that leads to a really great studio project, then that's a bonus.
The problem is, when you're making an animated movie, the studio has an illusion in their minds - and it's really not true - that because it's a drawing, it can be changed at any time.
Well, I'd never done an animated movie before, which is why I was so excited about doing it. It was one of the little boxes as an actor that I wanted to tick off. I wanted to do an animated film. So, after my mum got over the fact that I was never going to play Shrek's sister, this was the nearest I was going to get!
You never hear of a live-action studio that has been making so-so films looking over at a studio that's making great movies and going, 'Oh, we see the difference - we're using a different camera.'
I would say the biggest difference is that a movie is a shorter, more encapsulated experience, and a TV job is like having a regular day job where you get to do what you love.
It wasn't until after living in California for many years that I realized that you don't believe what anybody says, ever. Whatever they say, they're just making a movie - they just like the way they sound.
Just because 'Planes' is an animated movie doesn't mean I don't take my work seriously. You can always push yourself to be better.
One of the biggest breaks we had actually, one of the biggest, the hardest I laughed on the movie [The Hangover] was the baby was just doing ridiculous things and making hilarious faces. But I'm sitting there and I'm supposed to be having this exchange with Zach [ Galifianakis] and the baby is like staring at me with these huge eyes and acting, and just making the most cerebral faces, and I could not keep it together.
Mathematics is really an art, not a science. You could say science also is an art. So I would say the difference is something you can't really describe - you can only recognize. You hear somebody playing the violin, and it was Fritz Kreisler or it was somebody else, and you can tell the difference. It is so in almost every art. We just don't understand why it is that there are just a few people who are just completely off the scale and the rest of them are just mediocre. And we don't know why. But I say it's certainly true of mathematics.
It would be a dream come true if I could just go from studio to studio and play solos.
I don't normally get very star struck. However, I was just at a table read for a movie. It was an animated movie where they have all the actors come in and sit around a big table and read the whole script out loud so you can see what's working, what's not working. And this is an animated movie that Paul McCartney is doing and he's producing it. So I got to meet Paul McCartney.
I was focused on The Hunger Games movie with my director, with the studio, and with the cast and crew. We all just focused on making the best possible movie we could, and earning the right to do more.
For me, the biggest champions out there are not just on the field, but also off the field. Some of the biggest champions around the world, the David Beckhams, the Lebron Jameses, they all hold themselves so well off the field, and do so many great things for the community and socially. So I think it's not just about how you perform on the field, but how you hold yourself off it.
I'm not just saying this because I'm in the movie, but I really would recommend 'Secretariat.' It's fun, inspiring, and it's a great movie to take your little kids, brothers, sisters, or nieces and nephews to see that actually has real people in it and not animated characters.
The idea right now - and it may evolve - would be a live-action movie where some of his characters would be animated. To me, this movie is very much about the creative process.
I'm willing to give up a little control but not a lot. So I say I want the money, but when push comes to shove, I'm not sure I'll be able to compromise in order to make the big studio movie. Maybe something in between would be okay, like a low-budget studio film.
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