A Quote by Bill Hader

I saw 'A Clockwork Orange' when I was 11. When you watch 'Clockwork Orange' at 11, it either totally scares you from watching movies, or you want to become a filmmaker. I was the latter.
The movies I cannot go without and that I watch annually are 'A Clockwork Orange,' 'Scarface' and 'Fantasia.'
I like the idea of the audience absorbing the language and getting to understand it as they journey through the film. It starts off being more obscure, but you get used to it. A 'Clockwork Orange' thing. I read 'Clockwork Orange' without any vocabulary, and I got to understand the words as I went through it. I like that process. It immerses you.
... A CLOCKWORK ORANGE- and I said: 'That's a fair gloopy title. Who ever heard of a clockwork orange?' Then I read a malenky bit out loud in a sort of very high type preaching goloss: '- The attempt to impose upon a man, a creature of growth and capable of sweetness, to ooze juicily at the last round the bearded lips of God, to attempt to impose, I say, laws and conditions appropriate to a mechanical creation, against this I raise my swordpen-
When I was a kid and I was being introduced to science fiction by watching movies with my Dad, Kubrick is one of those guys that we used to watch, you know, I watched Clockwork Orange at an age that was incredibly inappropriate, but he sat there with me and he explained what was going on and you know, I came to appreciate it even if I was terrified at the time.
If he can only perform good or only perform evil, then he is a clockwork orange—meaning that he has the appearance of an organism lovely with colour and juice but is in fact only a clockwork toy to be wound up by God or the Devil.
My dad did show me interesting movies at a young age. I remember he showed me 'A Clockwork Orange,' and my mom said, 'I never want to see this movie in my house again.'
'A Clockwork Orange' was filmed near where I grew up, and 'Children of Men.'
Every university in America teaches 'Clockwork Orange.' I get fed up with it.
I had a couple of really cool friends when I was a kid, and we'd find cool music and movies and show them to each other. My friend Dennis had a copy of 'A Clockwork Orange' and he'd already seen it once, and he was like, 'We need to watch this.' I was sleeping over his house - and I think we were literally 15 - and we watched it.
Democratic socialists, why don't you open your eyes, 'Clockwork Orange'-style, and look at the truth.
In 'Clockwork Orange,' you're there with your eyes, watching all those things, your brain goes off, ahh, exposes you to so many things, and at the end of the day, it's just like a roller coaster. Why do you jump in a roller coaster? You want a thrill.
I was fantastically well versed by the time I left school. I had a teacher who put 'A Clockwork Orange' my way, and 'Catcher in the Rye.'
I was fantastically well versed by the time I left school. I had a teacher who put A Clockwork Orange my way, and Catcher in the Rye.
When I think about a book like 'A Clockwork Orange,' which I really loved, the weird hybrid language is what I remember most.
I really wanted to write the way Kubrick makes films - 'Strangelove,' '2001', 'Clockwork Orange', 'Barry Lyndon' - they're all so different.
My first job after drama school was with Stanley Kubrick. It was only a few lines in 'A Clockwork Orange', but I was working with a master of cinema.
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