A Quote by Bill Hader

'The State' was a huge thing for me. I watched that and 'SNL' together when I was 15, 16. — © Bill Hader
'The State' was a huge thing for me. I watched that and 'SNL' together when I was 15, 16.
My mother was a huge inspiration to me. We loved wrestling and watched together.
I loved 'SNL' growing up, and I would trick my babysitter into letting me stay up to watch it. My family would rent Marx brothers' movies and Monty Python episodes, and we watched 'In Living Color', 'The State', and 'Strangers with Candy'.
It started so early, it all runs together. But what made a huge impact on me was when I went to Europe at 15 or 16 years old. All I knew before that was music on the radio and TV. When I went over there I realized there are all different levels of music. There are people who do blues, jazz, classical, working in film, TV and all kinds of places. You might not see them on MTV but there are lots of needs and uses and opportunities for all kinds of music.
The good thing about 'SNL' is that it's the same people every week that you're working with, and we've all become so close and tight because we've worked together so long and so closely together.
I think one thing I had going for me that a lot of rookies didn't is that we played 15, 16 games every year in college.
It was weird that most people knew me as someone let go from 'SNL.' I had the best time there, and in retrospect, it was the perfect amount of time. The only thing that matters is what you do with yourself in that moment after. If you decide, 'I'm the girl who was fired from 'SNL,' you're just that.
There have been 15 or 16 screenplays over the years, including one by me, but none of them has gotten made because Paramount is a huge studio. The Dice Man is an anti-establishment cult novel and you don't normally make studio films from such dark comedy material.
I never felt I had my 15, 16, 17 kind of years the way I maybe should have. It's a huge dent in you that it's hard to knock out and make it all smooth again.
I often have 15 to 16 hour days and I have two young children, both with different needs at seven years and 16 months.
Pace judgement is everything in the hour record. If you can ride 16.1 or 16.2-second laps constantly for 221 laps, and not go 15.9s or 16.4s, it's keeping it on the line every lap, lap after lap.
I watched a small man with thick calluses on both hands work 15 and 16 hours a day. I saw him once literally bleed from the bottoms of his feet, a man who came here uneducated, alone, unable to speak the language, who taught me all I needed to know about faith and hard work by the simple eloquence of his example.
When I was 16, I played Tallulah in 'Bugsy Malone' at the Queen's Theatre. Me and five others shared a flat together in Blackheath. It was brilliant being 16 and living in London with my mates.
When I was 14 I used to have a calendar on my wall, crossing the days off until I was 15, because the school leaving age was 15. Then three months before I turned 15 they changed the leaving age to 16.
When I was 14, I used to have a calendar on my wall, crossing the days off until I was 15, because the school leaving age was 15. Then three months before I turned 15 they changed the leaving age to 16.
When I was 15 years old, I watched Royce Gracie in the cage, and I thought I'd like to do the same thing.
I came from a socially deprived background when I was 15, 16 years old, but one thing I knew was one - you don't abuse a policeman, and two - you don't steal things.
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