A Quote by Bill Hader

Sometimes you're working with somebody, and you can tell they're just waiting to say their line. — © Bill Hader
Sometimes you're working with somebody, and you can tell they're just waiting to say their line.
If you're impatient while waiting for the bus, tell yourself you're doing 'Bus waiting meditation.' If you're standing in a slow line at the drugstore, you're doing 'Waiting in line meditation.' Just saying these words makes me feel very spiritual and high-minded and wise.
As a writer, you're always trying to say the best thing. You're always thinking about what's the best thing to say, and what's the hardest way to say it, and what's the best line? Sometimes the best line is the simplest line. Sometimes the best line is the line that evokes more feeling than actual wordsmithing.
How did we kill time before smartphones? I honestly can't recall. I have a vague recollection of flipping through magazines in waiting-room-type situations, but what did we do, say, in line at the post office? Waiting for a bus? Waiting for someone to meet us at a restaurant? I mean, did we just look around or something?
So give up waiting as a state of mind. When you catch yourself slipping into waiting . . . snap out of it. Come into the present moment. Just be, and enjoy being. If you are present, there is never any need for you to wait for anything. So next time somebody says, “Sorry to have kept you waiting,” you can reply, “That's all right, I wasn't waiting. I was just standing
[Kyle Chandler] taught me how to listen very well and reacting. There's a lot of improv. And to be able to do that on the spot you really have to be in tune with what the other person is saying instead of just waiting for your cue line or waiting for a word for you to deliver your next line.
I would say that my forte is cutting the line. My entire life's work is me having zero patience and not waiting in a line.
People sometimes say hoaxes are about the blurry line between nonfiction and fiction. I just don't think it's a blurry line at all.
There's always somebody you can call and go have lunch with and just talk out an idea. And it's great, because I need that. It's part of my writing process, to early on sit people down and say, 'Alright, this film I'm working on...' and I tell them everything I have.
Mathematics is really an art, not a science. You could say science also is an art. So I would say the difference is something you can't really describe - you can only recognize. You hear somebody playing the violin, and it was Fritz Kreisler or it was somebody else, and you can tell the difference. It is so in almost every art. We just don't understand why it is that there are just a few people who are just completely off the scale and the rest of them are just mediocre. And we don't know why. But I say it's certainly true of mathematics.
Editing is very satisfying process. You spend hours working on something and then you get to watch it. It's immediately satisfying where everything else is just kind of waiting and waiting and waiting.
I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue.
Everything is explained now. We live in an age when you say casually to somebody 'What's the story on that?' and they can run to the computer and tell you within five seconds. That's fine, but sometimes I’d just as soon continue wondering. We have a deficit of wonder right now.
Sometimes you work with somebody you've never heard of because you just feel like working.
The beauty of TV is that it does not have to be live. In this case, rather than spending an hour or two hours staring at a door and waiting for somebody to come out, we can just tell you after it has happened.
You don't make stupid internet videos or show people you have too much free time, you just say the right things and they'll be like, "Damn this dude's a real person and I can relate to that." That can make somebody's life, that can make somebody's day, that can be a line that they never forget.
I tell poets that when a line just floats into your head, don't pay attention 'cause it probably has floated into somebody else's head.
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