A Quote by Bill Henson

On practical level I can't pick up the camera until I think I know what I want. I don't wander around. It's almost impossible for me to pick up a camera... it's really hard.
I just use [the camera]. I just pick it up like an axe when I've got to chop down a tree. I pick up a camera and go out and shoot the pictures I have to shoot.
You're talking about a whole camera crew and being mic'd up professionally everyday and just having another group of people following you around. It's a little different than having friends pick up a camera and follow you around.
With film acting, and often when the camera comes very close, you just have to think about something and the camera will pick it up.
The difference between an amateur and a professional photographer is that the amateur thinks the camera does the work. And they treat the camera with a certain amount of reverence. It is all about the kind of lens you choose, the kind of film stock you use… exactly the sort of perfection of the camera. Whereas, the professional the real professional – treats the camera with unutterable disdain. They pick up the camera and sling it aside. Because they know it’s the eye and the brain that count, not the mechanism that gets between them and the subject that counts.
It's hard for me to assess what I brought because each time you pick up a camera and point it at a person, you're trying to define that person so to talk generally is difficult because I have to think of a given image in order to conjure up what we're talking about.
We actually found some home videos, some really funny footage of me when I was around 3 years old. I come up to the camera to do a Nixon impression. I don't know who taught me that, but I come up to the camera and said, 'I am not a crook.' I got a really good laugh. You see me register that bringing joy to people is a positive thing.
I don't think about what camera I should use that much. I just pick up the one that looks nicest on the day.
Doing film and television demands a kind of simplicity. If you think something differently, the camera will pick it up.
With documentary, you just pick up a camera and start.
As an actor, if you're just sitting and staring and you don't know who you are in your own mind, it's vacant. And sometimes the camera is an X-ray machine, it can pick it up.
I pick up energy really easily. Even if I go to the grocery store, and no one is paying attention to me, I can pick up other people's moods, and it's really intense.
I don't want to carry big things around with me. I'm lazy. The snapshot camera, you just carry it around and take the picture. You don't need to think about anything. People in the street are not going to wait for you with a big camera. They would freak out. With a snapshot camera, they are comfortable.
Go home, pick up your video camera, and make a film.
My dad gave my brother and I a camera to film our football games when we were 10 years old so we could see how we could get better. Then one day, we decided to pick up the camera and film whatever we were doing.
I want to be the person who eventually doesn't have to be in front of the camera. I can be behind the camera and really change things cinematically, and this is giving me an opportunity to do something behind the camera, which I really want to maximize.
It's so easy to pick up a camera, white balance, and shoot people having sex, but I don't think there's anything very interesting about it. You might get off, but that's it.
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