A Quote by Bill Hicks

I, like all artists in Western cultures, am a shaman...come in the guise of a comic...to heal perception by using...'jokes'. — © Bill Hicks
I, like all artists in Western cultures, am a shaman...come in the guise of a comic...to heal perception by using...'jokes'.
To me, watercolor is a Western medium, so when I feel like I am using a Western manner I will use English to sign my name.
I feel like there are comic book artists who are comic book artists, and then there's comic book artists who are cartoonists.
People use the guise of art, and artistic expression, to do all kinds of hateful things. It's like Trump and everybody else using the guise of humor to say hateful things, the excuse being, 'I was just being funny.'
I am absolutely okay with jokes on me now, but initially, yes, I was perturbed ki why me? I am not a personality on whom jokes are made randomly. Later, I was like, if everyone is enjoying jokes on me, even I should laugh it off instead of opposing them.
As I stand here today and tell you about these, I am heavy with an awareness of the fact that I am in more than one sense a product of both the Chinese and Western cultures, in harmony and in conflict.
I don't consider myself a comic but a performer. A comic tells bad jokes.
I serve like a bridge. I go to other cultures, learn, put myself in different situations and learn as much as I can, and then go to Western cultures to give. I'm doing this bridging all the time.
Comic books, if you're adapting a comic book - like X-Men, for example - you've got 40 years of amazing stories to dig into, things that incredible artists have been thinking about for decades.
Kerry James Marshall especially was a huge influence on me in graduate school, as were Wangechi Mutu and Julie Mehretu. These artists are titans. My education was also very much in comic books, so I've been going to comic book events in New York and have met a few artists there.
There's still racism. Western Europe... has taken the native cultures of the Americas, the African cultures, the Asian civilization and lumped them together into The Others.
I actually thought that the idea of doing a World War II movie in the guise of a spaghetti western would just be an interesting way to tackle it. Just even the way that the spaghetti westerns tackled the history of the Old West, I thought it could be a neat thing to do that with World War II, but just as opposed to using cowboy iconography, using World War II iconography as kind of the jumping-off point.
I'm a joke comic. I tell jokes. I like writing a joke, and I like when a joke works, and I like other comics who tell jokes.
It's been important to cultures throughout history with the court jester and the witch doctor and the shaman - all preach the same thing.
Almost any tale of our doings is comic. We are bottomlessly comic to each other. Even the most adored and beloved person is comic to his lover. The novel is a comic form. Language is a comic form, and makes jokes in its sleep. God, if He existed, would laugh at His creation. Yet it is also the case that life is horrible, without metaphysical sense, wrecked by chance, pain and the close prospect of death. Out of this is born irony, our dangerous and necessary tool.
It's wonderful to find cultures that are historically still intact, as opposed to a lot of Western cultures which seem to me to be slowly dying, stuck in celebrity illness or stupidity.
What sort of difficulties would happen when people of different cultures try to come together to worship? Tiny little things such as let's tell jokes with each other.
This site uses cookies to ensure you get the best experience. More info...
Got it!