A Quote by Bill Hicks

[Comedy] is an escape from illusions. The audience is...thinking, 'This bullshit we see and hear all day makes no sense.' — © Bill Hicks
[Comedy] is an escape from illusions. The audience is...thinking, 'This bullshit we see and hear all day makes no sense.'
I see the audience as the final collaborator. I think it's kind of bullshit when people say, "I'm not interested in the audience reaction." I'm like, "Then why do you do theater? You can write a book, then you don't have to see how the audience reacts." It's a living, breathing thing.
I remember reading in a comedy book very long ago when I first started, a person said there's a difference between a sense of humor and a sense of funny. A sense of humor is knowing what makes you laugh and a sense of funny is knowing what makes other people laugh. The journey of comedy, in a sense, is negotiating those two worlds.
There's timing in drama. You have to have a sense of rhythm. But the real thing that lends yourself to drama as opposed to comedy is a sense from the audience of whether there's more to it than you can see.
In some sense, Comedy Central has made their audience into comedy connoisseurs.
I love watching audiences scream. I imagine it's the same joy that a director feels who has made a comedy when he or she is sitting at the back of a theater listening to the audience laugh. That sound of laughter is so sweet to a comedy director and that's exactly how a horror film feels when you hear the audience scream.
Seeing you lights up my day, to hear your voice makes me smile all cheesy, to see you smile makes my heart all warm and fuzzy, when you say I love you makes my body weak.
There's a difference between a sense of humor and a sense of funny. A sense of humor is knowing what makes you laugh and a sense of funny is knowing what makes other people laugh. The journey of comedy, in a sense, is negotiating those two worlds.
Human beings have illusions. The enlightened don't have illusions. They see things as they are, and in that seeing, they see ecstasy and joy. They see the play of life.
It makes sense to work towards a better world, but it doesn't make any sense to have illusions about what the real world is.
I never go see live comedy shows because I just sit in the audience thinking, "Here's what I would say. Here's what I would do if I got up there." It drives me crazy.
Here's the thing, with comedy - and I learned this from Will Ferrell - you can't be ashamed. If you're doing comedy, you have to fully commit to the joke. Shame is not part of it. If you act shy or uncomfortable about your body, that makes the audience shy and uncomfortable. And in a comedy you just want them to loosen up and laugh.
With a comedy, it's so important to see it with an audience and an audience who really wants to be there and is enthusiastic, otherwise it can be quite a traumatizing experience.
More than just romantic comedy, I like romances: drama romance, romance comedy, comedy romance. I also go to the movies to escape. There are times when you go to learn, when you go to be moved, you go to be transported, and there are really times when you go to escape. And I personally escape more happily into a romance than I do violent movies.
One of the rules of the road is that if you want to create the sense of silence, it frequently has more pungency if you include the tiniest of sounds. By manipulating what you hear and how you hear it and what other things you don't hear, you can not only help tell the story, you can help the audience get into the mind of the character.
The only cure for loss of illusions is fresh illusions, more illusions, and always illusions.
To live on a day-to-day basis is insufficient; we need to transcend, transport, escape; we need meaning, understanding, and explanation; we need to see over-all patterns in our lives. We need hope, the sense of a future; the freedom to get beyond ourselves...in states of mind that allow us to rise above our immediate surroundings and see the beauty and value of the world we live in.
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