A Quote by Bill James
I learned to write because I am one of those people who somehow cannot manage the common communications of smiles and gestures, but must use words to get across things that other people would never need to say.
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Every form of strength is also a form of weakness,” he once wrote. “Pretty girls tend to become insufferable because, being pretty, their faults are too much tolerated. Possessions entrap men, and wealth paralyzes them. I learned to write because I am one of those people who somehow cannot manage the common communications of smiles and gestures, but must use words to get across things that other people would never need to say.
..he made me understand something very important. Whether because I am a Latin, or because I am a neurotic, I have a need of gestures. I am myself expressive, demonstrative; every feeling I have takes on expression: words, gestures, signs, letters, articulateness or action. I need this in others.
Between people who truly care and love each other, there are times where you don't need to say anything at all. Those emotions that are hard to express with words. Things like "I love you" and "Thank you", you don't really need to say those words.
Other people’s words are so important. And then without warning they stop being important, along with all those words of yours that their words prompted you to write. Much of the excitement of a new novel lies in the repudiation of the one written before. Other people’s words are the bridge you use to cross from where you were to wherever you’re going.
People talk differently. You can say some things some places you can't say in other places. But me as a film maker, no words are ever going to be off limits in something I write. As long as people use the words, I'm going to report that.
I am not really thinking, I am just, working with the music. And people have asked me, why don't you say more, or why do you not have singers, or why don't you sing? I think it's because, if I would have words for what I am doing, I I could write. But I really don't. It's a whole different thing. And I think it's one of the beauty of instrumental music is that it can be background. It can be what people call "easy listening." But it's really one of those things where it's as much as you are willing to give it.
Every time Mulder smiles, people say, 'God, it was great to see you smile. Mulder never smiles.' I say, 'Mulder smiles a whole lot. He smiles at least once a show.' People get these ideas in their heads and they're impossible to shake. But, to be honest with you, Mulder is every bit as vulnerable and quirky as Ally McBeal. I think Mulder has pretty good legs, too.
There are as many different ways to write a novel as there are varieties of human consciousness, so I am totally delighted if people want to use words that come from genres to describe how this book functions because those words are accurate.
I think sometimes we can use spirituality as a vehicle to go closer to the things that frighten us and sometimes we can use it as a shield. I'm guilty of it too. I think spiritual words can do one or the other. Because when I hear people say, in a religion setting, 'Glory,' 'Praise the Lord,' 'Hallelujah,' but it doesn't mean anything, those are actually words that distance us from God, ironically enough.
To know how other people behave takes intelligence, but to know myself takes wisdom. To manage other people's lives takes strength, but to manage my own life takes true power. If I am content with what I have, I can live simply and enjoy both prosperity and free time. If my goals are clear, I can achieve them without fuss. If I am at peace with myself, I will not spend my life force in conflicts. If I have learned to let go, I do not need to fear dying.
If you give a writer a pile of blank paper and say you can write anything you like on any subject you want at any length you want, you will probably never get anything at all, whereas if you have 900 words to write, and it's fiction that is somehow op-ed fiction, and it needs to tie in with Halloween . . . okay, those are my constraints, that's where I now need to start building something.
Some people manage their writing by saying, 'I need to get 2,000 words written today,' others by saying, 'I will write for X hours.' Not me. I start with a plan for the book, break it down into scenes, and I know what scenes need to get written each day. If the scene takes more words than I thought, so be it.
The face of "evil" is always the face of total need. A dope fiend is a man in total need of dope. Beyond a certain frequency need knows absolutely no limit or control. In the words of total need: "Wouldn't you?" Yes you would. You would lie, cheat, inform on your friends, steal, do anything to satisfy total need. Because you would be in a state of total sickness, total possession, and not in a position to act in any other way. Dope fiends are sick people who cannot act other than they do. A rabid dog cannot choose but bite.
The whole thing is this: If you don't use just basic grammar, if you don't get the language down, you're not going to have access to a tool that people use as a weapon against you. The only reason I was never taught to read and write was because it was easier for them to lead me. But the second I learned to read and write, I began to lead myself.
Me trying to kill people wasn't as bad as me tearing people down and making people cry and ripping them apart, because words never heal. That's what I've learned. I'd rather raise my son and tell him, "If you get in a fight with your friend, just punch him. Don't say anything, because the next day he doesn't get over that."'
I try to write for highest common denominator. I don't write for dumb people. I figure if everybody doesn't get it, that's OK. Someone bright enough will get it, and that's who I write for. It's probably not the way to make million-sellers. What can I say? I won't apologize for trying to write for smart people.
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