A Quote by Bill Jay

I appreciate photographs which celebrate harmony. I don't particularly want to look at chaos. I see enough of that at home. — © Bill Jay
I appreciate photographs which celebrate harmony. I don't particularly want to look at chaos. I see enough of that at home.
People just need to be open-minded enough to accept the game for what it is. If you don't want to see it, then you're never going to appreciate it, which is fine; it's your choice. But we appreciate not being slated in the meantime.
I appreciate any organization or individual people who sincerely make an effort to promote harmony between humanity, and particularly harmony between the various religions. I consider it very sacred work and very important work
Beauty lies in harmony, not in contrast; and harmony is refinement; therefore, there must be a fineness of the senses if we are to appreciate harmony.
As a professional photographer I take photographs for other people to see - but I want them to see what I see. So I never assume that only a few people will appreciate what I do. At all times, the public should be able to understand what I've done, even if they don't understand how I've done it.
A good print is really essential. I want to take strong documentary photographs that are as good technically as any of the best technical photographs, and as creative as any of the best fine-art photographs. [...] I don't want to just be a photo essayist; I'm more interested in single images...ones that I feel are good enough to stand on their own.
The difference between how you look and how you see yourself is enough to kill most people. And maybe the reason vampires don’t die is because they can never see themselves in photographs or mirrors.
I want my photographs to say: "Look-there's this thing you haven't seen that you should see."
The reason why so many of my photographs in the book were taken in stairwells and corridors was that that was the only bit of spare space available and, in some cases, the only place where there was enough light to see anything. Even then, it was often so dark that I couldn't tell which gender my subject was (not that I particularly cared) and too dark, before the era of autofocus, to focus. I had to find a light (or carry a torch) and pre-focus.
Sexual chaos reigns currently, but out of chaos may flow true understanding and harmony, and either way Elvis almost singlehandedly opened the floodgates.
My photographs are a picture of the chaos in the world, and of my relationship to that chaos. My prints show the world’s constant upsetting of man’s equilibrium, and his eternal battle to reestablish it.
If you want to see chaos, you should come to my house early in the morning when my three kids are running around. That's chaos.
When you look at yourself in the mirror, don't pinpoint the things that you aren't happy with. Appreciate what you were born with and acknowledge the fact that you are you, and that is something to celebrate.
A great deal of chaos in the world occurs because people don't appreciate themselves. Having never developed sympathy or gentleness toward themselves, they cannot experience harmony or peace within themselves, and therefore, what they project to others is also inharmonious and confused.
Sure, kids want to read whatever is the hot book, and of course they want to read fantasy and any kind of speculative fiction, but they also like to read stories with kids that look just like them, that have the same problems as them. And I've noticed that what they particularly want to see is to see those characters prevail. So they don't want sanitized situations. They want stories to be raw, they want them to be gritty, but they also do want to see the hope at the end of the story.
I will be in Melbourne, Florida, and I just heard the crowds are massive that want to be there. I turn on the TV, open the newspapers, and I see stories of chaos, chaos, yet it is the exact opposite.
I wanted to make photographs in which everything was so complex and detailed that you could look at them forever and never see everything.
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