A Quote by Bill Jay

I'd like my coffin to be a camera obscura so I can see what's going on outside. — © Bill Jay
I'd like my coffin to be a camera obscura so I can see what's going on outside.
When my mother died, we had the coffin at home. Like, old-school - you have the coffin at home so all the people can come and see the person. And her coffin was next to my room, so I used to go in and stand on a chair and look at her. You know, it's open coffin and stuff.
Maybe the only thing each of us can see is our own shadow. Carl Jung called this his shadow work. He said we never see others. Instead we see only aspects of ourselves that fall over them. Shadows. Projections. Our associations. The same way old painters would sit in a tiny dark room and trace the image of what stood outside a tiny window, in the bright sunlight. The camera obscura. Not the exact image, but everything reversed or upside down.
Rape is a crime against sleep and memory; it's afterimage imprints itself like an irreversible negative from the camera obscura of dreams.
Memory works like the collection glass in the Camera obscura: it gathers everything together and therewith produces a far more beautiful picture than was present originally.
It's a hard job to get the camera to see it like you see it. Sometimes you have it just the way you want it, and then you look in the camera and you don't have the balance. The main thing is to get the camera to see it the way you see it.
Things like 'I'm A Celebrity,' when they're going to a trial, they might reset the camera for a bit or give a briefing that's not on camera. But 'Big Brother,' you see everything.
Creation rather than painting, or if painting, yet such, and with such co-presence of the whole picture flash'd at once upon the eye, as the sun paints in a camera obscura. (Describing his poetic ideal, 1817)
When the photographer is nearby, I like to say, 'Quick, get a photo of me looking into the camera,' because I'm never looking into the camera. Christopher Nolan looks into the camera, but I think most directors don't, so whenever you see a picture of a director looking at the camera, it's fake.
During photography's first decades, exposure times were quite long... So, similar to the drawings produced with the help of a camera obscura, which depicted reality as static and immobile, early photographs represented the world as stable, eternal, unshakable.
If in all ideology men and their circumstances appear upside-down as in a camera obscura, this phenomenon arises just as much from their historical life-process as the inversion of objects on the retina does from the physical life-process.
My own funeral, I'd like to be laid out in a coffin in my own house. I would like my coffin to be put in the double parlor, and I would like all the flowers to be white.
To be honest, I don't know... something about the camera like turns me into such a diva. Like when it's on and I see my face in the camera, I'm just like, oh girl you look so good!
I'm not going to work outside of genre. It's going to be horror, action, or sci-fi. I don't ever really see myself being interested in movies outside of that.
An iron lung looks like an enormous metal coffin or a 19th-century rocket ship: only its occupant's head is left outside, a tight seal around the neck.
I'm afraid to look in the mirror. I'm afraid I'm going to see an old lady with white hair, just like the old ladies in the park. Alittle bundle in a black shawl just waiting for the coffin.
My mentality is: I'm going to do it. I'm going to eat a lot of food, and then I'm going to complain about it when I see myself on camera.
This site uses cookies to ensure you get the best experience. More info...
Got it!