A Quote by Bill Kaulitz
I looked at the photos at the VMAs and my hair was the most. That was a time when we were the most extreme - like, I totally looked like Cher. And it always took, like, two bottles of hairspray every morning. Yeah, we've definitely changed a lot. But I love that we have that history, and I enjoy looking back.
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Long hair, for me, is actually less maintenance. I went through a phase when I was kid where I wanted a pixie cut. At the time I thought it looked awesome, but I look back and I looked like such a dork! When I have short hair, I feel like I have to blow dry it, or it doesn't sit properly.
They finished laughing and caught their breaths, and looked at each other, and Ani thought Geric looked at her too long, as though he forgot he was looking, as though he did not wish to do anything else. She looked back. Her took heart took its time quieting down.
I like Twitter, actually and I like Instagram and I like talking to people. Most weeks, I'll take a day, a morning or two out of my day and I'll sit and I'll just answer my tweets. You have to get back quickly. And I think that's important to let people know that you see them because they took the time to acknowledge me. And they took the time to if you want to be my fan and to follow me and appreciate what I do.
In my childhood everything you heard, you could imagine what it looked like. Even singers that I would hear on the radio, I couldn't see what they looked like, so I imagined what they looked like. What they were wearing. What their movements were. Gene Vincent? When I first pictured him, he was a tall, lanky blond-haired guy.
I pictured a girl who made every moment, everything she touched, and everyone around her feel lighter and sweeter. “I pictured you,” he said. “I just didn’t know what you looked like. “And then, when I did know what you looked like, you looked like the girl who was all those things. You looked like the girl I loved.
There are ways of angling the camera. I don't just use a tripod. The only time I did that was in '88 when I first came out of detox, I spent every day doing self-portraits to fit back into my own skin. I didn't know what the world looked like - what I looked like - so in order to fit back into myself, I took self-portraits everyday to give myself courage and to fit the pieces back together. I used a tripod then.
For a long time, I dressed like an idiot. In college, I had a fully shaved head with just two horns. Like, a coxcomb of hair that I would sculpt into two horns. I looked like a crazy person.
One of the reasons I always looked up to [George] Carlin is he looked like your grandfather but, acted like your best friend. Most of the adults in my world were adults and acted like adults and had job-type jobs and bills and pressures and stopped playing a long time ago. And George Carlin was a guy that the more he aged the younger he seemed. It was odd because he was still sagely and wise. But he was such a role model for me.
When I was younger, most people thought my lips looked like Tweety Bird's - there were always comments like that from family and neighbors.
Literally every time I'm on camera, as well as there being commentary on what I've said, there'll be commentary on what my hair looked like, what I wear. Often it's written in the most hideous and quite cruel way.
Fashion for me is the perfect combination of all the things I love. There's an element of history to it. I love understanding why people wear what they wear, why during certain periods in history women looked the way they looked. There was always a strong reason behind it, whether it was because of what was available to them or because of what was happening in the world politically or sociologically. Fashion is like an amazing blend of commerce, travel, and creativity - of studying what people were about during a particular time.
Once 9/11 happened, people who looked like me and whose children looked like us and whose husbands looked of a community, really were made to feel quite the other, and I thought that was impossible in a city like New York but I myself was witness to that.
I can remember how I sang - a little more nasal-y back then. Listening to those old recordings is like seeing a photograph of yourself from 10 years ago. You're wearing what you thought looked cool at the time. You had your hair styled the particular way you thought looked cool. It's an accurate depiction of who you were and what you looked and sounded like at that point in your life. It doesn't necessarily mean that it aged in a way that it feels as cool or sounds as good to you, or says what you thought it said, 10 years later. That's just the nature of growing older.
I'm obsessed with textures. We're surrounded by so much vinyl that I find myself constantly in pursuit of other textures. One time I removed all the hair from a mouse with Nair-Hair just to see what it looked like. And it looked beautiful.
I enjoy the physicality a little more, with Vinnie Paz [in Bleed for This] that was the most prep I've ever had to do for a film, that was a legit like 7 months of diet and working out. And then I was able to do like an accent, I was able to change myself physically, I was able to do a lot of the things that I'd always looked at actors and admired when they did that. So I was excited to do that.
Way back in the 1970s, I was eating a steak, and I looked down, and for the first time it suddenly looked like flesh to me - like a dead creature. In a flash, I realized that every time I ate any kind of meat, something had been killed for me, and I stopped eating all animals, not just cows and pigs but chickens and fish.
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