A Quote by Bill Kaulitz

It's kind of a dream to play a vampire in a movie. — © Bill Kaulitz
It's kind of a dream to play a vampire in a movie.
There was one vampire movie that Gerard Butler was in, 'Dracula 2000,' and they touched on something interesting, but it only worked in the context of that particular movie, which was that the original vampire was Judas.
I've met a lot of actors who have three dreams: You dream of making a sci-fi, you dream of making a Western and you dream of making a vampire movie. So this is one of my life-dreams as an actor coming true.
I was a little hippie on a world backpacking adventure, and suddenly I became a vampire princess. I still find it hard to believe that it is real. I feel ludicrously lucky to have been chosen to play such a compassionate, complex character for my first film, and I am so grateful to all the beautiful people who made it possible for me. It was a dream come true. I felt like Cinderella every day, going to work with this amazing team on this dream script. If Cinderella were a vampire.
I read the books the day before I had met with the director Catherine Hardwicke. The first I heard of it was my agent called and said, 'Do you want to be in a vampire movie?' and I said 'No.' I thought it was like a zombie, blood-and-guts, vampire movie.
Alice Cullen had more vampire interaction, for sure, than human interaction. I think she was kind of amped to finally get to play a vampire, so she was good to go.
I thought about how I'd play a vampire for awhile because I grew up watching vampire films and reading books.
You know, what's popular? Okay, vampires are very popular. Let me make my vampire movie. I'm not saying you can't make a vampire movie. But if you're going to do one do something crazy. I mean don't just get a bunch of, like I said, models and make them into vampires so you'll get an audience. You know maybe get some ugly vampires for a change.
I was very happy with Vampire's Kiss, which in my opinion was almost like an independent laboratory to start realizing some of my more expressionistic dreams with film performance. Then using what I had learned in Vampire's Kiss and putting it into a very big action movie in the form of Face/Off with John Woo. If you look at those two movies back to back, you can see where I stole from my performance in Vampire's Kiss.
Dream a big dream, a bold dream. Don't play conservatively between the 40 yard lines. Don't just play it safe.
I don't really know [who my favorite vampire is]. I always think, 'Ethan Hawke in Interview with a Vampire,' and someone will say, 'He's not the vampire. He's the interviewer.'
I love vampire stories. That's why I did the movie. Women especially were taken with that movie-even more so when it came out on video.
Basically, we [me and Evan Goldberg] started thinking about making a movie that was kind of a weed movie and action movie and had a real kind of friendship story to it, then that would be our favorite movie [Pineapple Express] ever.
You do a movie, depending on the character, there's some degree of makeup involved, especially when you're playing a vampire and you're all white and kind of dead. Sleeves, regarding costumes, there are generally sleeves, which I appreciate. I think we all do.
I, Anita Blake, scourge of the undead-the human with more vampire kills than any other vampire executioner in the country-was dating a vampire. It was poetically ironic.
The Lighthouse' couldn't have been made without this kind of freedom that is allowed to some filmmakers to be able to play around with genre. Jennifer Kent's 'Nightingale' is more horrific than any horror movie - but also, I don't think you could make that movie without this kind of freedom.
'The Fugitive Kind,' 'Rope,' 'Who's Afraid of Virginia Woolf?' - I watched all these as a way of reminding myself that you can do a movie based on a play. You can do a movie that stays in one place for a long stretch.
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