A Quote by Bill Kaulitz
We have started to make music at age seven. That was a hard work.
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When I started, I had a really hard time getting work. It was the mid- to late-nineties. There was the WB. My age was perfect for it, but I just never came across as a youngster. I had to grow into my age in order to start working, and by the time I did, it was when things started to get good.
I got started at a really young age. I was about two years old when I started playing the piano and around seven or eight when I started writing my own chords and putting words together.
I wanted to play music from the age of seven. I suddenly fell in love with it and that's what I was going to do, or to be involved with music. It was just speaking to me at a level that as a seven year old I suddenly realized the world was capable of supporting in my head a lot more than what I was understanding verbally and visually.
I started learning my lessons in Abbot Texas, where I was born in 1933. My sister Bobbie and I were raised by our grandparents [...] We never had enough money, and Bobbie and I started working at an early age to help the family get by. That hard work included picking cotton. [...] Picking cotton is hard and painful work, and the most lasting lesson I learned in the fields was that I didn't want to spend my life picking cotton.
My career as an actor started when I was six years old, taking dancing lessons. Then I started getting paid jobs to dance at the age of seven.
I started playing guitar when I was 12 and probably from that age knew that I wanted to make music and make my own music. Playing with other bands like the Polyphonic Spree and Sufjan Stevens was more like an apprenticeship for me than anything.
If I started something, I had to finish. Like with violin. I started when I was seven only because my best mate wanted to. I hated it and wanted to quit, but Dad made me continue, and I got to grade seven. My parents said I had to know the value of stuff and work for stuff.
In my opinion, you just have to make the music. Make the music and work as hard as you can to get it out there.
I started piano lessons at age six but didn't take music seriously until I was a teenager, when I thought about a career in music. I studied classical music, and my instruments were guitar and piano. I played keyboards in bands, and after high school I went to Vienna to study at the Academy of Music. I also became a session player, which culminated in my work with Tangerine Dream.
I started dancing at age three and then got involved in musical theatre and acting around age seven. I think I've probably known since then that I want to be a professional actor.
I started playing piano age six. I was also singing in the choir, so my mum put me into music school. I went to study there for seven years, but it was not my passion. I quit because I wanted to study marketing. But I can still play piano.
I mean, I knew that one day I'd do something writing-oriented as soon as I started writing. But when I started singing, I was determined to make those two work together, so I just worked at it until I started making stuff that sounded like music.
I'm a musician - music will never go away - but my focus is acting, and I started late so I have to play catch-up. So that means I have to work twice as hard in this game. But it will never stop, I think I always feel I have to work twice as hard.
This man who was my father's age hit me hard on my head when I was 17. I started bleeding. I took out my sandal and hit his head hard, and he started to bleed, too.
Music came first and I started to jam with people I couldn't communicate in their language. Then, because I could make friends thanks to music, they started to talk to me. Then I started to learn English.
To get GoPro started, I moved back in with my parents and went to work seven days a week, 20 hours a day. I wrote off my personal life to make headway on it.
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