A Quote by Bill Kaulitz

You know it was really hard to do a set, or even to do interviews in English, because in Europe, we always had a translator with us. — © Bill Kaulitz
You know it was really hard to do a set, or even to do interviews in English, because in Europe, we always had a translator with us.
The language was not a big problem because my English was getting better every year. So, I really felt comfortable and I had trust in myself, you know, talking to people. Even though I know I was making mistakes, I still kept talking. So that's how I learned English.
By nature, I think I am a pretty private person, and that is what is hard even doing interviews for films that I really love doing, because in some ways, it diminishes the experience that I had.
The translator has to be a good writer. The translator has to hear music too. And it might not be exactly your music because the translator needs to translate the music. And so, that is what you are hoping for: a translator who gets what you are doing but who also gets all the ways in which it won't work in the new language.
People ask me in Europe, when they do interviews... they ask me, 'Well, how does it feel to be a cook in a country that doesn't know how to eat?' It always touches a nerve, because Europe and the world think that America is no more than bad hot dogs and bad burgers.
And I always read the English translation and always have conversations with my translator, for example about the names. I always have to approve it.
For you, it's a silent movie. For us, it's a talking movie because we had lines on set. There's a lot of noise on set and music. We spoke in English, in French, in gibberish, but it was very alive. The challenge was tap dancing.
I have a really, really strong work ethic and I learned that from my dad because my dad was a workaholic but he always had even more time for us. As hard as he would work, he always made the time. So it's just about balancing family, I think, and work - and giving everything 100%. And that's what he taught me.
English was great because I could just write my opinion, and that was good enough. I was terrible in Math, even though I had amazing Math teachers. My favorite subject was either English or History. I had a really awesome high school education.
In the beginning, for the first English record it was really hard for me because I'm a perfectionist and I really wanted it to sound natural and not like a German who tries to sing in English.
When you're a screenwriter working on a film, you're not really even welcome on set, even if you know... When I wrote 'Elizabeth' and Shekhar Kapur was a friend of mine, but I wasn't really welcome on set, because the director is God and it's a very difficult position for a screenwriter who's put so much passion into that, into the writing.
Malcolm Bradbury made the point, and I don't know whether it's a valid one or not, that the real English at the moment is not the English spoken in England or in America or even in Canada or Australia or New Zealand. The real English is the English which is a second language, so that it's rather like Latin in the days of the Roman Empire when people had their own languages, but had Latin in order to communicate.
I'm offended by the kind of smarmy religiosity that's all around us, perhaps more in America than in Europe, and not really that harmful because it's not really that intense or even that serious, but just... you know after a while you get tired of hearing clergymen giving the invocation at various public celebrations and you feel, haven't we outgrown all this? Do we have to listen to this?
Emotions are messy and hard to figure out. Hard to know where you start and the next person stops. Even as an adult, that's a hard thing to know. As a kid, it can be really confusing, because it's all new and you're trying to sort of make your map.
Even though I never really had to pound the pavement as an actor, I always worked really hard. But, at the same time, I always felt like people thought that I didn't have to struggle even though I was struggling.
They just love the Irish accent in the States. But I just talk really fast because I'm from Cork. It's my speed that really throws them, especially when I get nervous. Doing interviews there is really hard because you can't hear a word I'm saying!
It used to be said that you had to know what was happening in America because it gave us a glimpse of our future. Today, the rest of America, and after that Europe, had better heed what happens in California, for it already reveals the type of civilisation that is in store for all of us.
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