A Quote by Bill Kovach

The credibility of the work depends on copy editors. I would argue with the copy desk, but I would thank them more. — © Bill Kovach
The credibility of the work depends on copy editors. I would argue with the copy desk, but I would thank them more.
Start copying what you love. Copy copy copy copy. At the end of the copy you will find your self.
When I was having my hair and make-up done backstage at a fashion show, I would sneak in a copy of Dostoevsky and read it inside a copy of Elle or Vogue. But it would be pretentious of me to say I was more intelligent than the other supermodels.
Copy is not written. If anyone tells you ‘you write copy’, sneer at them. Copy is not written. Copy is assembled. You do not write copy, you assemble it. You are working with a series of building blocks, you are putting the building blocks together, and then you are putting them in certain structures, you are building a little city of desire for your person to come and live in.
You mustn't expect me to repeat myself. My past doesn't interest me. I would rather copy others than copy myself. In that way I should at least be giving them something new. I love discovering things.
Success is dangerous. One begins to copy oneself, and to copy oneself is more dangerous than to copy others. It leads to sterility.
We buy a copy of 'Gravity's Rainbow,' say, and we carry our copy home. We open it; we fall into it. And it is here that the word 'copy' fails. Because what I experience when I read 'Gravity's Rainbow,' or 'Beloved,' or 'The Moviegoer,' is not at all a 'copy' of what you experience when you read the same novel.
I have been a journalist, off and on, since I was 17. I was a copy boy for the 'New York Times,' when it had an edition in Paris, in 1963. I sold the paper in the streets by day and tore wire copy off the tele-printer for the editors making up the edition by night.
For six months I couldn't sleep. With insomnia, nothing's real. Everything is far away. Everything is a copy of a copy of a copy.
Without editors planning assignments and copy editors fixing mistakes, reporters quickly deteriorate into underwear guys writing blogs from their den.
People who copy what exists copy a point-in-time artifact, and if you are managing the process correctly you are already hard at work on the next thing.
Alexander Liberman was very smart, very elegant. At the end, he didn't have much patience with me because I was a young, anxious, nervous photographer. I worried that I was copying too many other people. And he said, "It's all right to copy people, as long as the people you copy are good and you copy them well."
In the '50s and '60s, journalism wasn't a profession. It wasn't something you went to college for - it was really more of a trade. You had a lot of guys who came up working in newspapers at the copy desk, or delivery boys, and then they would somehow become reporters afterward and learn on the job.
What's burning down is a re-creation of a period revival house patterned after a copy of a copy of a copy of a mock Tudor big manor house. It's a hundred generations removed from anything original, but the truth is aren't we all?
They copied all they could copy, But they couldn't copy my mind; And I left them sweatin' and stealin', A year and a half behind.
Real failure comes when we consider ourselves good enough at something to be able to repeat it rather than to develop it. "Success is dangerous," the painter Pablo Picasso said. "One begins to copy oneself, and to copy oneself is more dangerous than to copy others. It leads to sterility."
I think editors are excellent marketers. They know their audience and produce copy to appeal to them - they just don't call it marketing.
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