A Quote by Bill Kreutzmann

My dad loved black singers. So listening to New Orleans music, eventually I wanted to play an instrument. — © Bill Kreutzmann
My dad loved black singers. So listening to New Orleans music, eventually I wanted to play an instrument.
I just became obsessed with looking for new singers, unknown singers, people that maybe have been forgotten, and really checking them out and analyzing what they do - and obsessive listening. I think that's the core of my work on music - has been just listening to things and listening to singers.
My parents were opera singers. I didn't want to play opera because I wasn't good enough. I didn't want to play their music; I wanted to play the music that I wanted to play, and I'm so lucky that today I get to play that music, even though I don't like every song I write.
In New Orleans, bounce music was prevalent. That was all they wanted to hear. It was new and trendy, and it was hot, and it was taking off. Artists were coming out of everywhere. They did some great songs, some really catchy, fun songs. That was just the feel of New Orleans music.
There are two types of conductors. One is the good conductor who can do passionate music but also listen to the singers and do the orchestra. And then there are great conductors, who have their own opinion on the music, who are ruling everything - and not listening much to the singers, but the orchestra play amazingly.
New Orleans is a place where people are deliberately undereducated so that they can be a labour class - the economy there is tourism, and one of the only outlets that black males have traditionally been allowed is to play jazz music, y'know?
I've always been in love with that Delta-flavored music... the music that came from Mississippi and Memphis and, especially, New Orleans. When I was 14, I was in a wanna-be New Orleans band in Toronto.
I've always been in love with that Delta-flavored music the music that came from Mississippi and Memphis and, especially, New Orleans. When I was 14, I was in a wanna-be New Orleans band in Toronto.
I've always had a love for music, and it developed as I learned jazz, blues, and gospel. And I performed with jazz singers in New Orleans.
I just essentially stayed at home for three years and just learned to play as many instruments as I could and listened to as many singers as I could. Like, when I got to about 19/20, I started listening to singers. I normally just listened to bands. Now I listen to a lot of old singers, not a lot of new stuff.
I've always loved New Orleans music. I always loved it when the Neville Brothers opened up for the Grateful Dead and the Dirty Dozen and all that.
I like historical fiction. I fell in love with New Orleans the first time I visited it. And I wanted to place a story in New Orleans.
I grew up with my parents always listening to rock music. My dad wanted me to play guitar, but I always had more of an ear for drums. He really wanted me to be a guitar player, like him.
My mom played 12-string and sang, and my dad could play pretty much any wind instrument and had a great ear for harmony. Soon enough, my sister and I got into music because we were always around it, and people were always listening to it.
I rarely listen to the music for the sheer pleasure. I'm listening for the tool, I'm listening for the instrument, I'm listening for the art.
Back in Kuwait, I had started listening to a lot of English language music: western music, I would say - Kate Bush and Radiohead - and I loved Chet Baker, Etna James, a lot of singers and a lot of bands.
Presley is country music, white music. Jazz is black music - it was invented by the blacks in New Orleans. And I'm really a jazz singer. I was impressed with Elvis - he was the handsomest guy I ever met in my life, and a very nice person, too. But the music doesn't impress me.
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