A Quote by Bill Kurtis

Frontline' does 10 news shows a year, so one a week is quite an undertaking. — © Bill Kurtis
Frontline' does 10 news shows a year, so one a week is quite an undertaking.
'Frontline' does 10 news shows a year, so one a week is quite an undertaking.
Broadway's a lot of work, don't get me wrong. It's eight shows a week. You hardly ever see the sunset. I remember when I left, I was like, 'Oh! The sun's setting! I haven't seen that in a year!' Singing eight shows a week is hard.
Spending a week aboard an aircraft carrier as a 10-year-old was pretty wild. I wandered into the war room - I'm still not exactly sure what that is, but apparently it's not a place that a 10-year-old should be. I remember them paging my dad to have him come get me out of the war room.
I've been in leadership roles on Broadway, and it's one thing to lead a Broadway company - you're with those people for a year straight, and you're doing that same show, eight shows a week. It's quite another when you carry on the story... You go beyond that, and you ride the wave of a character.
I'm not going to play pundit on Donald Trump and criticize him. I will say the media's treatment of that illustrates a very, very different - I mean, it dominated the news for a week to 10 days once he was the nominee. In the primary, it didn't get, seemingly, even 30 seconds of news.
I went to work at 11 years old. I became governor. It's not a big deal. Work doesn't hurt anybody. I'm all for not allowing a 12-year-old to work 40 hours. But a 12-year-old working eight to 10 hours a week or a 14-year-old working 12 to 15 hours a week is not bad.
We just keep making the shows that we love, and the good news is that we can never rest on our laurels, knowing that we're going to be on forever. We're constantly challenged to write the very best story that we can, week in and week out, hoping that that will allow us to keep telling more of them.
I started out on the stage, then I had a great career in television for quite a few years. The good news about a TV series is that they give you a certain amount of fame and money. The bad news is that you're in people's living rooms every week and get associated with a particular character.
If there is any one proof of a man's incompetence, it is the stagnant mentality of a worker who, doing some small routine job in a vast undertaking, does not care to look beyond the lever of a machine, does not choose to know how the machine got there or what makes his job possible, and proclaims that the management of the undertaking is parasitical and unnecessary.
Working on 'Comedy Bang Bang,' we're there from 10-7, and that's a pretty light day compared to most other TV shows. Other shows, it's like 10-10.
My very first acting job ever, the first time I got paid to be an actress, was in 2001, right between my sophomore and junior year in college, when I was just 19 years old. I got paid $250 every two weeks, 10 shows a week, to be in the Utah Shakespearean Festival. I was Calpurnia in 'Julius Caesar.'
recurrence is sure. What the mind suffered last week, or last year, it does not suffer now; but it will suffer again next week or next year. Happiness is not a matter of events; it depends upon the tides of the mind.
You can be in the Bay and sell 10,000 copies of independent records and make 50 grand and that's your job for the year. The shows you do off of that and them 10,000 sales is gonna feed you and your homies.
I try to put myself in the shoes of people in the news. I'm in the news myself quite a lot. But there's many days I give thanks I'm not in the news and the news that's out there.
Only the fat-cat corporations can really afford to put on two mega-ready-to-wear shows a year, or four if you add two haute couture shows, or six if you count men's wear. Resort and prefall push the number up to eight. A couple of promotional shows in Asia, Brazil, Dubai or Moscow can bring the count to 10.
One year, I did 10 or 11 pilots of TV shows that never went anywhere.
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