A Quote by Bill Kurtis

I think I'm so old I'm in. We call it the 'Tony Bennett Syndrome.' For some reason, young people think I'm cool. — © Bill Kurtis
I think I'm so old I'm in. We call it the 'Tony Bennett Syndrome.' For some reason, young people think I'm cool.
And I think that's a singer's job. You know, to really interpret a lyric. There's an art to it, and I think some people are really great at it, like Tammy Wynette and George Jones and Tony Bennett.
I think about what 10-year-old Tony would want that 40-year-old Tony can make.
I honestly think that it was when the actual voices started to stand up for me. It was the iconic artists like Tony Bennett or Barbara Streisand or Liza Minnelli. When people like that take you under their wing and say in quotations, "He's the next one. He's got my stamp of approval," people trust them.
I think people resist feminism because they're scared. I think for women, they're scared of being picked on or of being called out. I hear from a lot of young women, you know, I don't want to call myself a feminist because I don't want to get in an argument with someone. And it's just not cool; like it's not a cool thing to be associated with. There's no benefit to saying that you're a feminist.
I think for some reason people are drawn to stories of all kinds, for some reason they land harder when they are "true." And yet in fiction, I think there is a lot of deeper truth, too.
So I think, as much as possible, I try to be open myself. I think that's probably something that falls with young people. It's not because I think young people are smarter, because I don't think they are. I think young people are quite actually stupid.
I've known I was gay since I was young, I think. And I mean young - like, young - like 5 or 6. I think most gay people or queer people know there's something different about them very early, but I didn't know what to call it.
I think I've made some choices that maybe I wasn't so sure about for some reason or another. But I'm one of the lucky ones. Even when I was young, I played Bird, and that's a role people wait for their whole lifetime.
When I think of Cool Britannia I think of old people dying of hypothermia.
Tony Bennett is an iconic jazz legend.
Listen, if you don't talk big game, you never get anywhere. If you don't think big, you don't get big. Some people call it egotistical, some people call it high hopes, some people call it confidence. It's all in how you want to dissect it.
In 2007, I hit 50 home runs. That was pretty cool. I never thought I'd be able to do that. At the time, I didn't even think it was that big of a deal for some reason. But now, looking back, I realize it was pretty cool.
I want to be around for a long time. I want this to be a career. I want to sing like Tony Bennett. I want to be an old man and I want to go through all the ups and downs and I wanna still love what I do.
I think we sent Tony Fucile pictures of ourselves, photos from like when we were seven years old. That's what he worked from. He captured exactly what we looked like. I'd love to do another one with Alison, not just for the joy of writing, but also for the joy of watching Tony bring it to life with his illustrations. I'm hoping at BEA, or ALA, I'll get to meet Tony and shake his hand and thank him.
For my money Tony Bennett is the best singer in the business.
There's a subtle reason that programmers always want to throw away the code and start over. The reason is that they think the old code is a mess. [...] The reason that they think the old code is a mess is because of a cardinal, fundamental law of programming: It's harder to read code than to write it.
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