A Quote by Bill Kurtis

I never wanted to retire. I wanted to kind of shift my work pattern so I could stay fresh and invigorated, and use the experience that I had gained in 30 years, but in a slightly different direction.
I've wanted to work with my father for 30 years, and I'm really grateful that I finally had the opportunity, and it ended up - the experience and, I believe, the film - better than I could ever have hoped for.
Walt had a seat-of-the-pants approach on what he wanted musically. We kind of 'read' the boss and had a very high batting average, but there were occasions when he felt we had just written the wrong piece for the situation he wanted. We invariably listened to what he wanted - he was very descriptive in what he wanted and we could read him. We'd go back to the drawing board and work out what he wanted. He was a great inspiration, but a tough taskmaster.
I was a superlate bloomer, and I was kind of a prude. I always wanted to be able to keep the number of people I've had sex with very low, because I never wanted to have to tell my future wife, "Oh, yeah, I was with 30 people."
I never wanted to stay in one genre; I never wanted to be pigeon-holed or defined as the actor who only worked in one genre. I want to be able to work in all different genres. For me it's fun, and that's how I grow as an actor.
I had been in Russia for five years and had a pretty successful run, and I just kind of wanted a change. I wanted to see different things. They're pretty equal leagues, but there was less travel involved in Turkey.
I wanted a new experience, to learn another language. I wanted to be different. I wanted people to realise I'm taking my coaching career very seriously. I wanted to create my own pathway.
I was the kind of person who knew what he wanted to do; I wanted to write, I wanted not to be in school, and I felt that university would just be spending another four years of my life before I could write.
When you're with somebody for some years, sometimes you need a break from 'em. You grow in different directions. That's kind of what happened with me and the Eastside Boyz. They wanted to do different things than I wanted to do, so we separated.
I wanted to be involved with the making of some kind of parallel world. I thought, there's no reason to go to different parts of our world, because you can write them. You can stay home, stay in a little room, and imagine all these worlds. And I wanted to do that. Why did I want to do that, I'm not sure if I can tell.
he used to think that he wanted to be good, he wanted to be kind, he wanted to be brave and wise, but it was all pretty difficult. He wanted to be loved, too, if he could fit it in.
I feel like the experience I gained at university has really helped to inform me as far as who I wanted to become as an actor and what I wanted to do.
I always wanted to create a site that was sports and pop culture. '30 for 30' had a big impact because I loved how that was about finding, empowering and working with these incredible directors, and I thought the same thing could work for writers.
I always wanted to create a site that was sports and pop culture. 30 for 30 had a big impact because I loved how that was about finding, empowering and working with these incredible directors, and I thought the same thing could work for writers.
As a flight instructor 30 years ago, I had quite a few female police officers who wanted to be pilots. But the guys would say 'no.' They wanted those jobs to themselves.
Our focus in the client group had always been to build products and features that people wanted to use. That we wanted to use. That our moms wanted to use.
I never wanted to be a star, I never wanted to travel far / I only wanted a little bit of love so I could put a little love in my heart / I never wanted to be la-de-da, go to parties ‘avec le bourgeois’ / I only wanted to sing my song well so I could ring a small bell in your heart
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