A Quote by Bill Lawrence
My friends back from the East Coast jokingly call me 'Hollywood,' and they assume I'm out at Hollywood parties, but I'm a domesticated guy with 3 kids.
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The whole idea of doing the Hollywood thing never even occurred to me. When you grow up on the East coast, Hollywood seems like this fantasy land and you don't think that people can actually make a living there.
If I was American, I think I'd live in New York, because I like that East Coast mentality. There's nothing wrong with Hollywood. If you want to be a big time filmmaker, you should go to Hollywood.
I am fairly embraced by the Hollywood community, and I love making movies and I love acting, but I'm not real crazy about the Hollywood system. So the fact that they embrace me is a shock to me because I tell them to kiss my ass all the time. I don't understand why they haven't thrown me out on my ear. The other thing is I don't participate much. I have very few friends within the movie community. I hang out with some guys I've known forever. They're all broke and eat me out of house and home. But I stay home mostly and I don't go to the parties. Maybe that preserves me.
Fashion gave me the platform that has made this transition from fashion to Hollywood, from East Coast to West Coast. Fashion gave me the platform that has made this easier than it is for a lot of other people. And I will always count fashion as the industry that was first to welcome me and embrace what I could do.
I think Hollywood... well, there is no Hollywood anymore so let's just call it the mainstream since the business is no longer Hollywood producing its own films and then distributing, they just distribute.
I never 'went Hollywood.' Perhaps some of my behavior was detrimental to my career, but I couldn't go the route of Hollywood parties.
He convinced me - Fred Freeman - to go to Hollywood and we went to Hollywood to write sitcoms. Joey Bishop actually paid my way to Hollywood.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
I leave Hollywood, I go somewhere else and make some music, and then, when I have to go back to work, I try and take as much that I get from outside Hollywood back with me.
Hollywood's thinking is very typical. And it's just really predictable too. And I think at Hollywood, these box office movies are flopping. I mean, there hasn't been an original thought coming out of Hollywood since the '80s.
When people used to ask me why I got involved with Hollywood films, I would say jokingly that it was for the health insurance.
Life's too short when you find yourself sitting in a car for four hours every day trying to get from East L.A. to West L.A. to Hollywood and then back to East L.A.
I think the message has already been sent to Hollywood, which is that this kid's a hard worker, he's talented, and people are coming out to see him. And when you have box-office results, Hollywood treats you different. Hollywood stands up.
For my wife and I, for so many years, a lot of our identity was based on being Hollywood haters. We were like, 'We're east-coast. We're New Yorkers. This is just a place that we have to come to, but not by choice.'
I like to go to the movies at The Hollywood Forever Cemetery. They do this thing in The Hollywood Forever Cemetery in Hollywood where everybody sits out on the grass and they project movies and it's very romantic and very old-school Hollywood, so I love that.
I was doing a show in Bridgeport, Conn., and getting offers for more money from Boston and other cities in the east. But I figured I would hold out for New York. Then one day, I got a call out of the blue from Hollywood from KNX.
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