A Quote by Bill Maher
Sometimes I'm dragging my ass out to the airport at 8 a.m. on a Saturday and I'm wondering why I'm doing this, but once I walk on stage I know why...because I'm addicted.
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You can't assume anything in politics. That's why every Saturday I walk around my district. I talk to the longshoremen in Charlestown. I listen to the people in East Boston and their concern on the airport noise. I walk down to the Star Market in Porter Square, and people tell me about meat prices.
The way I look at it within myself, why not? Why can't I be the MVP of the League? Why can't I be the best player in the League? I don't see why-why-why can't I do that? I think I work hard, I think I dedicate myself to the game and sacrifice a lot of things at a young age and I know if I continue to do good, what I can get out of it and if that's me going out or doing whatever, I'm willing to do it because I know in the long run, it's going to help me.
'How' is a great thing to know. 'Why' is the ultimate. I'm the 'why' coach. Why are we doing this? Why are we not doing that? Why is this not working? Those are the things I want to know.
The talking shows allow me to come out of my cave and that's why those shows go on for so long. I hate walking off stage. Sometimes I walk off and I miss them as I'm walking off the stage. I wonder if they'll let me go another hour. That's why I do it: to communicate, to get points across.
Why is the world round?
Why do the suckas bite?
Why do the freaks come out at night?
Why they paint Jesus white?
I sit and wonder why we breakin hip-hop laws,
Doing videos in houses that we know ain't yours.
I live on a boat two months out of the year, and if I did not have that then I don't know how I'd be able to handle all this.... I am a very intense person on stage. I have to remember why I am there, what I am doing. You can spend all day backstage preparing for the show and lose sight of why you are doing this. Off stage, I am a very simple kind of guy. I live my life in flip-flops.
I've been nominated four times, never won. And the whole world is going, `Why hasn't Winslet won one?' That's why I'm doing it. "Schindler's Bloody List," "The Pianist," Oscars coming out of their ass.
For me, the teen years were all about searching for a place for myself, wondering why I seemed so different than everyone else, wondering especially why no one could look past the surface and figure out who I really was underneath.
People don't know this, but I'm going through a lot every time I walk on stage, which is part of doing theater. That's why it's so addictive, I must say.
Being a parent is a life sentence. You see, that's why normal people should not have children because if you raise a kid with only love and support, I guarantee that kid will be in rehab by the time he is 16. Why? Because you never introduced him to Mr. Back-of-Your-Hand. You know why I only broke into a liquor store once? 'Cause my father introduced me to Mr. Back-of-His-Hand and its wiley sidekick, Mr. Foot-in-My-Ass.
I walk around the school hallways and look at the people. I look at the teachers and wonder why they're here. If they like their jobs. Or us. And I wonder how smart they were when they were fifteen. Not in a mean way. In a curious way. It's like looking at all the students and wondering who's had their heart broken that day, and how they are able to cope with having three quizzes and a book report due on top of that. Or wondering who did the heart breaking. And wondering why.
Lure him out. Send in a 'customer' with a message from me needing to meet him. I'm not the kind of person he can ignore-well, that he used to not-never mind. Once he's out, we can get him to a place we choose." I nodded. "I can do that." "No," said Dimitri. "You can't." "Why not?" I asked, wondering if he thought it was too dangerous for me. "Because they'll know you're a dhampir the instant they see you. They'll probably smell it first. No Strigoi would have a dhampir working for him-only humans." There was an uncomfortable silence in the car. "No!" said Sydney. "I am not doing that!
I think everybody did their share of experimenting in the 1960s with drugs. My story is real simple. I was taking amphetamines in the late 60s and I was addicted to them. I don't necessarily know the why. I'm sure at the time I could've told you six different reasons why I was doing it. But, in the end, all of that stuff, all chemicals will hurt you.
Sometimes we ask ourselves 'Why?' Why do I continue to smile, to give, to live? Why do I continue to stand, despite the ferocity of the wind that keeps blowing, that keeps slapping against my face, creating a pressure that says 'fall'? Why I don't I listen to those who call me a fool because I continue to love despite my hurt? I don't know what tomorrow brings; I don't know if my troubles will seize or if my sorrows will continue. But this much I do know - I will continue to hold out, I will continue to press on, until my blessing comes.
It never seemed like that much of a mystery why shows I was acted in failed. When you're doing a show called Freaks And Geeks about young people in high school, and it's on Saturday nights at 8 and there's no promotion for it, it's not really hard to guess why no one's watching it. And when you're doing a college goofball comedy that premières three weeks after Sept. 11, it's not that hard to piece together why that's not the most important thing on the radar.
Why are we doing this?" Caine asked him. "You know damned well why we're doing this. Because it's a fight. It may be THE fight. I may be the final fight. And what else are we good at, you and me? What are we going to do if we ever get out there anyway?
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