A Quote by Bill Maher
I get the Playboy thing a lot. People assume I go out with bimbos. I couldn`t go out with bimbos if I tried! I scare them off! The women that like me are smart. So I go to the Playboy Mansion four or five times a year, but people think I go all the time.
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With Milli Vanilli, we felt more like bimbos, the bimbos of the music industry, and we didn't want to be the bimbos anymore.
After living in the mansion for a year, I did miss dating, and there were times when I was out during the day or at therapy school or even at Playboy parties where I met guys. It's only natural. I needed to have my own life, or I would have gone crazy. But at the same time, I didn't want to disrespect Hugh Hefner or the Playboy name - that always came first.
Contrary to popular belief, I don't go out very much. When I do go out, a lot of times it'll be to something like a heavyweight fight, and I'll be photographed, so that people have this conception that I go out a lot.
I had an opportunity many, many times to go to the Playboy Mansion with Hugh Hefner. Jerry Buss asked me many times and you know what, looking back that was stupid of me not going there.
A guy can do a stair-stepper for an hour or go out and run five miles, but there's a big difference between doing that and going out into the ring and being ready to go-go-go-go-go!
Can't nobody do what Fetty Wap does. So when I go to the studio, it may be four to five hours max, probably three days out the week. I used to go to the studio for 10 to 15 hours, and I would do five to 10 songs. Now I go for four to five hours and I do, like, 15 to 20 songs. I'm an ad lib guy. Most people know me for my ad libs.
Sure, some employers are are afraid of letting older workers go because they think they're going to get sued. And they probably will get sued. But the reality is, you could get sued at any time by any kind of worker. I think its incumbent on an employer, if they want to be smart, to figure out what is the benefit of keeping this employee or letting them go. Do the calculation and just go ahead and either keep them or let them go based on what's good for the business.
I know a lot of bands that will make their first record and get to a certain level, and then when the second record comes out, they can start where they left off as a headlining act playing in front of a certain number of people, or they can go back out and make a lot less money and open for people. I feel like if you go out and just go right back into that headlining stuff, you're playing to the converted.
It is not easy to go away and come back. One year out of MMA is like five years out of MMA. When you leave and go do something else, like pro wrestling, you're so far behind the times.
And believe me, darling, there's no man more faithful than a reformed playboy. They make far better husbands than men who haven't had time to sow their wild oats before they marry, so go off the rails at about forty-five because they suddenly realise that they've missed out on life and if they don't hurry up it's going to be too late.
The world changed on us. In a world where there were singles bars in every city, women weren't going to go out and hang out in a Playboy Club.
Those type of people [in New Orleans] keep me happy and just smiling, you know? I just go hang out and talk with them and they tell me all types of old stories, and sometimes I might even pull my horn out in the middle of the block, and they're playing on beer bottles and different things, and we just do a little second line type thing, just us, four or five people, who are just having fun. That makes me day to be able to do that and go hang out with the people in the (Treme) neighborhood, and to do some shows around town, you know?
Four hours of makeup, and then an hour to take it off. It's tiring. I go in, I get picked up at two-thirty in the morning, I get there at three. I wait four hours, go through it, ready to work at seven, work all day long for twelve hours, and get it taken off for an hours, go home and go to sleep, and do the same thing again.
Someone asked me 'What's the biggest thing you'll take out of the Premier League?' I said that you can't relax. I think you can go from having a great run of games - you can go four, five, six unbeaten - and turn a corner and go into a run of seven or eight games without winning. That's how difficult it is for the so-called smaller clubs.
When I was on the road full-time, there was about an eight, nine year stretch where I averaged, conservatively, 250 days a year out on the road. That's basically you fly into a town, you get a Rent-A-Car, find a hotel, go to the gym, you eat, you go to the arena, go back to the hotel, you wake up, go to the airport and go somewhere else.
I think a lot of times when people have "creative blocks" and I know my share of friends do as well if they're at just some stuck point. They're not sure what to do with their lives or their writing or their photography or their filmmaking or whatever it is that they're doing. I think the best advice is you have to change your life up completely; to go on a trip, to go spend a year being of service. Be willing to take some major drastic action to get you out of your comfort zone and go inside, not outside.
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