A Quote by Bill Maher
A new biography of Madonna came out last week, and apparently the biography lists all the men she's slept with. The book is apparently called the Manhattan Telephone Directory.
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Biography always has fulfiled this role. Robinson Crusoe is a biography, as is Tom Jones. You can go through the whole range of the novel, and you will find it is biography. The only difference between one example and the other is that sometimes it's a partial biography and sometimes it's a total biography. Clarissa, for example, is a partial biography of Clarissa and a partial biography of Lovelace. In other words, it doesn't follow Lovelace from when he is in the cradle, though it takes him to the grave.
An American critic wrote that she would rather be forced to read the New York telephone directory three times than watch the film A Zed and Two Noughts, a third of which was a homage to Vermeer. Conceivably, if you are a list-enthusiast like me, the New York telephone directory might be fascinating, demographically, geographically, historically, typographically, cartographically; but I am sure no compliment was intended.
Women are defined by their biography, and men are sacrosanct from their biography.
My biography of Jesus is probably the first popular biography that does not use the New Testament as its primary source material.
The best one-volume biography of Abraham Lincoln is still Benjamin Thomas's 1952 biography. David Donald's 1995 biography is a close second, and close enough that if you can only obtain the Donald rather than the Thomas, your book club will still be doing just fine.
Every novel is a biography. Well, then, this is a novel [The Paper Men] which is a biography that is pretending to be an autobiography. That's what you could say about it.
In the 'Mad Men' era, the archetypal dad came home; put down his briefcase; received pipe, Manhattan, roast beef, potatoes, key-lime pie; and was - apparently - content.
Apparently God takes reception of Holy Communion seriously. Apparently some things are more sacred than politics. Apparently it's all or nothing when it comes to being Catholic.
I had a checklist in my mind of the things that make a biography practical. Is the source material centralized? Is it easy to find? Are there new primary sources that no one has ever had access to? Are all the sources in English? If they're not, are they in a language that you speak? And I realized that not only is Armstrong the most important figure of Jazz in the 20th Century, but he's a perfect subject for a biography for all of these reasons. I had always loved his music and I had been fascinated in him as a personality. And that's really the key to writing a biography.
I was kind of relieved with the way the book [The Proud Highway] came out. It's beyond an autobiography or a biography. I never knew what was going to come up next.
Anyone writing a picture-book biography of Lincoln has a different set of responsibilities from someone writing a biography for sixth-graders, say, or from a Lincoln scholar writing an academic book on Lincoln. Each of these writers has a different audience and different goals. That's obvious.
The transgressive nature of biography is rarely acknowledged, but it is the only explanation for biography's status as a popular genre.
She divorced her husband, y' know. I never knew him, it was before I met Jane. Apparently she came back from work one mornin' an' found her husband in bed with the milkman. With the milkman, honest to God. Well, apparently, from that day forward Jane was a feminist. An' I've noticed, she never takes milk in her tea.
People say that about me, that I apparently buy houses near every boy I like - that's a thing that I apparently do. If I like you I will apparently buy up the real-estate market just to freak you out so you leave me.
People say that about me, that I apparently buy houses near every boy I like — that’s a thing that I apparently do. If I like you I will apparently buy up the real-estate market just to freak you out so you leave me.
The Internet is such a paradoxical space - it's limitless and totally bounded, apparently free yet corporate-controlled, apparently invisible yet surveilled, a place of disembodiment where bodies are policed and enviolenced, a place that is apparently 'nowhere'.
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