A Quote by Bill McKibben

We don't know exactly where all the tipping points are in the physical world for inescapable damage, but we're clearly reaching close to some of them. — © Bill McKibben
We don't know exactly where all the tipping points are in the physical world for inescapable damage, but we're clearly reaching close to some of them.
We should quit using phrases like 'turning points' and 'tipping points.' There's been multiple turning points, multiple tipping points.
Who, adult or child, is Michael Jackson truly close to? What and who is he trying to flee? What's the nature of the psychic damage he has so clearly sustained? I suspect his racial identity is more a byproduct of that damage than the primal cause.
If you are prepared to make a fool of yourself for them then you usually get that back. I think that there are points where you become so close to an actor, you know them so well, almost as well or better than their spouse. You have to know them, warts and all.
It is those people who know that they are right because some outside or higher power conveys the conviction to them who do the great damage in the world.
The world beyond 450 ppm atmospheric concentrations of carbon dioxide, the world that crosses carbon cycle tipping points that quickly take us to 1000 ppm, is a world not merely of endless regional resource wars around the globe. It is a world with dozens of Darfurs. It is a world of a hundred Katrinas, of countless environmental refugees
Tipping points are so dangerous because if you pass them, the climate is out of humanity's control: if an ice sheet disintegrates and starts to slide into the ocean there's nothing we can do about that.
I've written close to 20 screenplays and 100 sketches - I know exactly how to do them. They're judged by set criteria that I know.
I went whenever I could, and always my eyes lifted to the hills. I was to find a spiritual and physical satisfaction in climbing mountains and a tranquil mind upon reaching their summits, as though I had escaped from the disappointments and unkindness of life and emerged above them into a new world, a better world.
Imperialism has layed its body over the world, the head in Eastern Asia, the heart in the Middle East, its arteries reaching Africa and Latin America. Wherever you strike it, you damage it, and you serve the World Revolution.
I'm not opposed to reaching out Hispanics. I'm all for reaching out to everybody! As Americans. Not as members of groups, and not treating people as though they're legitimate members of some grievance group, but reaching out to them as human beings.
I certainly believe we all suffer damage, one way or another. How could we not,except in a world of perfect parents, siblings, neighbours, companions? And then there is the question on which so much depends, of how we react to the damage: whether we admit it or repress it,and how this affects our dealings with others.Some admit the damage, and try to mitigate it;some spend their lives trying to help others who are damaged; and there are those whose main concern is to avoid further damage to themselves, at whatever cost. And those are the ones who are ruthless, and the ones to be careful of.
The urgency derives from the nearness of climate tipping points.
The iPod is clearly a tipping point (and I'm not quite sure it is a wholly positive development), because it is a revolution in the way that we consume creative property, which I would call art. It has radically changed the relationship between the artist and the audience, how money changes hands, and how much money changes hands. Music was the first, and books are coming next. The Kindle or some form of electronic book is clearly inevitable, and it will massively reshape how books are sold, who pays for them, and how they're consumed. It is going to be really fascinating.
I teach a lecture course on American poetry to as many as 150 students. For a lot of them, it's their only elective, so this is their one shot. They'll take the Russian Novel or American Poetry, so I want to give them the high points, the inescapable poets.
I teach a lecture course on American poetry to as many as 150 students. For a lot of them, its their only elective, so this is their one shot. Theyll take the Russian Novel or American Poetry, so I want to give them the high points, the inescapable poets.
A lot of teams don't think I'm physical, although some do. Some say I can be physical at times, but they don't see the physicality all the time. I tell them, "Do you want a guy who is a knockout artist or do you want a sure tackler?" From what I know, all tackles, big or not, count the same.
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